Tag Archives: Tj Klune

TJ Klune on *Burn* and the voices in our heads…

A Click on the cover image takes you straight to the buy link at Dreamspinner.
Book One of the Elementally Evolved series

Set in a world that closely resembles our own, Burn is a story of redemption and betrayal, of family and sacrifice, which leads to the greatest question of all: how far would you go to save the ones you love?

Fifteen years ago, Felix Paracel killed his mother with fire that shot from his hands. Since then, he has hidden from forces bent on exploiting him and his fire and wind Elemental abilities. But Felix’s world is about to change, because he is Findo Unum-the Split One-and his coming has been foretold for generations.

Though Felix’s arrival brings great joy to the Elemental world, it also heralds a coming darkness. No one knows this better than Seven, the mysterious man who rescued Felix from that horrible fire years ago and then disappeared; Seven, who has returned to claim what’s rightfully his: Felix’s heart. But even as Felix begins to trust Seven and his feelings about his place in the world, the darkness reveals itself, bringing consequences no one could have predicted.

When TJ Klune was eight, he picked up a pen and paper and began to write his first story (which turned out to be his own sweeping epic version of the video game Super Metroid—he didn’t think the game ended very well and wanted to offer his own take on it. He never heard back from the video game company, much to his chagrin). Now, two decades later, the cast of characters in his head have only gotten louder, wondering why he has to go to work as a claims examiner for an insurance company during the day when he could just stay home and write.

He lives with a neurotic cat in the middle of the Sonoran Desert. It’s hot there, but he doesn’t mind. He dreams about one day standing at Stonehenge, just so he can say he did.

TJ’s Blog: A Fistful of Awesome.

The Interview

Q: How important are character names, to you, and how do you go about naming them? What about titles?
A: Character names are very important to me. The names, at least to me, tell part of a story themselves. Bear, Otter, and the Kid, while nicknames, showed a bond between these three given that they named each other. I try to keep the names from being to off the wall, because I do like the sense of realism in my stories (yes, yes, I know I have a character named Seven—but trust me, there’s a specific reason he’s named that. And yeah, that’s me being a teasing asshole yet again).

As far as titles are concerned, the title is something that usually comes to me even before I start writing the story. Titles are important because in all reality, they’re the identity of the story. The only time I’ve ever changed a title to a book of mine was to the upcoming Into This River I Drown, which was originally titled Blue Ford. The story changed in such a way as I was writing it that the Blue Ford title no longer fit.

Q: In what locale is your most recent book set? How compelling was it to set a story there? Do you choose location the same way every time? How?
A: My most recently completed book is Just The Way You Are, which is set where I live, in Tucson Arizona. As much as BOATK was based upon my earlier life in Oregon, Just The Way You Are is based upon how my life is now, with some obvious creative changes. As much as I like to bitch and moan when it’s July and 110 degrees outside, there’s really no place like the desert. Tucson is such a quirky town. There are a million people here, but it’s still got a small town vibe, which I really dig. It’s a little more liberal than the rest of Arizona (which is a good thing, seeing as how the state seems to be bent on showing the rest of the country what it looks like to take one step forward and sixteen steps backward).

I choose the locations for my books based upon the scope of the story. Into This River I Drown is set in the fictional Oregon town of Rosedale, which, geographically (at least in my head) is only a couple hours’ drive from another small town: Seafare, from the BOATK stories. They don’t exist in the same universe, but I couldn’t help but to reference Seafare in ITRID. BOATK and ITRID are set in small towns because they’re meant to be small town stories, though the boys from ITRID will travel a lot further than Bear and Otter ever did.

Q: How much power do you give your characters in steering the story line?
A: As much as they want or need. I go into the majority of my works with an outline as to where I want the story to go beginning, middle and end. But more often than not, there are detours into places that I never thought about when I started. The best example of this is Into This River I Drown. The book started as an ode to my father but turned into something so much more, specifically because of the characters and the direction they wanted to go versus the direction I wanted them to go (and, it should probably be mentioned, that I can’t ignore the fact that I’m apparently a sadistic bastard who has no problem putting people through the ringer; ITRID is going to be nuts).

What a lot of people don’t realize is that the majority of authors are probably certifiable with the amount of voices we hear in our heads. I have no shame in admitting that I have conversations with my characters. I laugh with them, I argue with them. Sometimes they piss me off, other times they make me cry. But I know what each and every one of them sound like (especially the Kid—I’m pretty sure I’m stuck with him for the rest of my life, given how he never seems to go too far away. But what’s funny about him is that I hear him as being older now, knowing that his story will be coming up soon. He’s no longer nine years old to me, but almost a man; I almost feel like a parent).

Q: What is the most satisfying element for you in writing gay relationships, and why?
A: The most satisfying part for me is that relationships happen like those we write about every day. Yeah, some of the plots can be far-fetched and may not be the most realistic thing in the world, but it always boils down to boy meets boy, boy and other boy make sex face at each other, boy and other boy then fall in love and live happily ever after forever and ever. For too long, it seemed as if GLBTQ portrayal in books and other media were all about the tragedies of being gay, either because of violence, hatred, or illness. It’s nice to be able to write and read about the realities of being gay in the 21st century. Even though there still is violence and hatred and illness, that does not have to define who we are, given that we are more than that.

Q: Are readers involved in making your fiction—do they suggest stories or say what they’d like to read?
A: While I appreciate my readers more than anything, I really try to write what I want to write and not necessarily cater to others. If my readers had their way BOATK3 would be written, Burn wouldn’t have ended like it did, and Julie McKenna would have been run over by a herd of rampaging buffalo, only to survive, stand up, and then get mauled by fourteen rabid raccoons. You know you’ve done your job when you’ve written a despicable character this is universally reviled (I could try to argue here that maybe she’s just misunderstood, but that’d be a bunch of bullshit. I hate her face).

That being said, I always like to hear from readers about what they like or dislike (and you’d be surprised how many emails I get from both sides—I seem to have one of those faces where people seem to think they can tell me whatever they want, which I think is awesome…for the most part. I don’t think I ever received a higher volume of mail then when after Who We Are came out and people read about Mrs. Paquinn. I was pretty sure I was headed toward a Misery type situation right then, especially when I received an email that contained a single line: “You shouldn’t have done what you did to Mrs. P.”

Yikes.

Q: Describe the ideal relationship between author and readers.
A: In an ideal world: readers would read and writers would write, though I don’t know how practical that would be. There has to be a fair amount of interaction between the two groups. After all, books won’t sell themselves.

There’s always going to be a fine line between reader/author contact, and unfortunately, that line gets crossed on both sides more often than it should, and it seems to be happening more and more. In the days of people paying for reviews, the so-called GR bullies and people who make websites about so-called GR bullies, to authors behaving badly and the snipe and snark and viciousness on both sides, it’s a wonder the world hasn’t exploded, or at least collapsed in on itself. Maybe that’s the price (upside? downside?) of social media, that everyone is entitled to share (and can and will share) their opinion about anything or everything.

I like talking to my readers, and I do so through Facebook and GR quite often. I don’t typically comment on reviews of my books (either good or bad), because again, I don’t think the review is for me. This is knocking any other author that does that, just my personal preference. But, of course, I’d be nowhere at all without the people that have bought my books, so I love ‘em to pieces and would have all of their babies had God seen fit to give me ovaries; alas, I am but a man.

Q: What do you find useful about reviews?
A: Aside from the day a book comes out, I don’t really focus on reviews, to be honest. Reviews, at least to me, are for other readers, and not necessarily for the authors. When BOATK first came out, I obsessed about reviews for a few weeks until I realized there really was no point in it. I am eternally grateful when someone takes the time to write a review for something I wrote, no matter if it’s good or bad. I don’t think reviews are the best place to look for critique when it comes to writing. That’s what my Beta readers are for, and they kick my ass enough, and I know them well enough to know they won’t sugar coat anything.

However, I am also an avid reader and it’s an interesting position to be in, being both a published author and someone who writes reviews for books. On one hand, I am very well aware of the time and energy that goes into writing a book, and how scary it can be to let that book out into the world. On the other hand, I am very opinionated about what I read. It can be a difficult position to be in, but I like to think I’ve found a bit of middle ground with it. I won’t write reviews to books I didn’t enjoy, or even rate them, because I don’t want it to be seen as an attack on another author, but I will praise a book to high heaven if I think it awesome.

Q: I’m well known for demanding to know an author’s opinion about which of their characters is the sexiest, and I’m making no exception for this group. Who, how, and why?
A: Seven, from Burn. He’s a hardcore badass, extraordinarily possessive, and a man who is not afraid to lead his people or protect what is his. He has so many layers, the depths of which readers haven’t even seen yet. I’m starting to think that the Elementally Evolved Trilogy is about him more than anyone else, even Felix. (I know, I know: I keep teasing. But I promise, it’ll be worth the wait when Book II is finally finished.)

Q: What are the fifty hottest words (approximate the word count) you’ve ever written, in your opinion. (Be sure to include citation).
A: From the upcoming Just The Way You Are:

Sweat formed between us, my cock trapped against his stomach as he slid into me, creating a delicious friction that I didn’t want to push away. I felt fluid and slippery, and he growled against my neck, his breath light and quick as his hips snapped back and forth.
“I’m going,” I whispered.
“Go,” he panted.

Q: What are you doing now, what do plan to write next?
A: Now, is all about Elementally Evolved Book II: Break. I’ve got to finish that story before I can start anything else. After that, I plan on heading back to Seafare for BOATK3 (of which I’ve got a pretty good amount of the story thought up in my head—oh man, the angst that’s going to happen in Ty and Dom’s story is going to be something else, that’s for damn sure. I’m excited and dreading it all at the same time). My next release will be the previously discussed Into This River I Drown, followed pretty quickly by Just The Way You Are. I’m also working on another project, though I think I’ll keep it under wraps for now.

An Excerpt from Burn:

I turned to face the crowd behind me and was unsurprised when my stalker
smiled at me from the front of my audience. Funny, I hadn’t seen him standing there
before.

“I’m going to my home,” I called to him.

“I know where you live,” he reminded me, his voice highly amused. The people
around him suddenly looked at him with newfound respect. They hadn’t expected a
second act to this farce.

“I know, but could you just stay away?” I pleaded.

“Do you really want that?” he asked me sharply.

I thought for a moment. “Yes, I do.” My heart hammered in my chest.

“For how long?” he asked.

“You’re not giving up, are you?” I asked him, suddenly feeling very tired. Or
resigned. I didn’t know which.

“Never in your life,” he said, his deep voice rough and wonderful. “You belong
to me.”

“I don’t belong to anyone,” I told him. The heads of our audience swiveled back
and forth like they were watching a tennis match.

He cocked his head. “Oh, you most definitely do. It’ll be easier for both of us if
you just stop fighting me on it.” He flexed his arms against his massive body.

Bastard was cheating.

I grinned at him. “Where’s the fun in that?”

“Come over here,” he ordered. “Now.”

I didn’t dare disobey. As I walked up to him, our audience turned their heads,
watching every step I took. I saw them only out of the corners of my eyes because I
was focused on him. I reached him and put my hands on his chest as his arms folded
around me, the top of my head barely reaching his chin. His body was hard as a rock,
and it felt like hugging human granite. He reached down and rubbed the back of my
head through the hood of my sweatshirt. I stared up at him, and he watched me back,
and I knew I couldn’t (wouldn’t) fight this again. His face lowered to mine, and his
lips brushed against my lips, and I could feel the flash inside me, the flare threatening to rise. But still, our eyes remained open, the ocean looking back at me. I gasped at a thought, a memory—the giant—but it was lost as he brushed his lips against mine again, never fully pressing, only promising. Nothing in my life had ever been more erotic than that moment: the ghosting of his mouth over mine, the feel of his body under my hands, the way he held the back of my neck. I shivered in his grip. I wanted to climb up him like the mountain he was and wrap my legs around his waist and let him rub against me in the alley. That’s why I stepped back; it’s why I stepped away.

He looked down at me, a knowing smile on his face.

“You said I was your Iuratum Cor,” I breathed at him. “And you were mine in return.”

He nodded.

“What does that mean?”

His eyes flashed. “It’s Latin. It means ‘heart sworn’. You belong to me. And I am
yours.”

I turned and ran.

“Soon, Felix,” he called after me. “I’ll see you soon.” His voice was sure,
confident.

I ran faster.

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Filed under featured authors, M/M romance, Writers on writing

What I learned Since I Became a Published Writer—by Tj Klune

Featured this week on sylvre.com, a guest post by Tj Klune, author of Bear, Otter, and the Kid, and two upcoming novels. Burn is due out 2/6/12, and Who We Are (the sequel to BOATK) is due out in April—all Dreamspinner Press publications.

As always on this blog, if you think you might like to buy the book, click on the cover to go straight to the publisher’s store. Now, Here’s Tj Klune’s words to the wise. Enjoy!

A little over three months ago, my first book was published. It was surreal, the lead up to that moment: a sort of breathless anticipation that was really, for all intents and purposes, anti-climactic when it actually occurred. And when I say anti-climactic, I strictly speak only of the day of. It wasn’t like the heavens opened up on August 12th and angels streamed down from the sky, singing out the title of my book for the masses to hear. It just came out.

And I couldn’t have been happier. Or more terrified.

There’s no manual given to first time writers, no outline of what the expectations should and shouldn’t be. It’s scary, flying blindly like that. Oh sure, there’s people that have come before me that told me what it was like for them, but it’s different really, for everyone.

Did I learn anything from it?

You bet your sweet ass I did.

Gather round, and I’ll show you that it’s possible for a twenty-something gay man to actually learn a lesson or two.

The First: People think I’m a woman. Or rather, they did initially. And why not? The m/m writing world is heavily populated by female authors, definitely out-numbering the amount of men who write about man-love. Does the sex of a writer really matter in the long run? I’d like to think it doesn’t. As long as the story is good and the characters are people you can grow to like/love, whether the author is a man or a woman should really be the last thing to look for. However, as a caveat, as we recently learned from a successful M/M author who portrayed herself as a man (even going so far as to have a male stand-in for her at a book signing even), honesty is always the best policy, no matter what. For the record, my author name is a pseudonym, the T and J being initials for my first and middle name. My name is Travis. It’s nice to meet you. I swear I’m a dude. Please don’t ask me to prove it to you. I don’t want my penis ending up on the Internet. Again.

The Second: My editor is smarter than I am. Seriously. Way smarter. Like, to the point where it’s scary. But did I realize that at first? Hell to the no. Me: What do you mean that’s hyphenated? Are you sure there’s an apostrophe? Well, that sentence that doesn’t make sense to you makes sense to me. To be honest, I’m surprised that she didn’t run screaming every time she saw an email from me. Seriously, though? 99.9% of the time, she’s right, I’m wrong (but there is that .01% that totally validates the 99.9%–I take what I can get).

The Third: My books will never be used as masturbatory aids. And don’t give me that look. Let me explain. I’m speaking about sex scenes, of course: where penises meet for the first time in an orgy or riotous passion. There are some really gifted writers out there who look forward to writing those hot and steamy scenes that make the heart race and your mouth dry. And some can go on for pages. And pages. And pages. Others are simply PWP (and some are just porn). My point? You’re probably not going to open up a book by me and say “Holy Jesus, TJ Klune writes fantastic smut. I should probably take off my pants while I read this.” It’s not my thing. I can’t really tell you why; I am more focused on a story when writing, not wondering what needs to be done to get to the next sex scene. And the scenes I do write are going to be minimal, not because I don’t know what to write in them, but because I don’t know how much they’ll add overall. Look. I’m a gay man. I’ve probably done half the things I could write about (and, if you’re reading this, Mom, it all happened well after the age of 18 and I had moved out. If she’s not reading this, then that was a lie). I’m no prude (except when it comes to felching—that is so gross. If you don’t know what that is, only Google it when there’s no innocent eyes around). But if there was a choice between writing a minimal sex scene and pages and pages of plot/dialogue/action versus pages and pages of boning to get to the HEA, then I’d go with the plot every time. Not everyone agrees with that. Not everyone likes to read that. To each their own.

The Fourth: Word of mouth is everything, especially for a new writer. That was something I did not understand, nor something I could even fully appreciate before the release of my first book. M/M readers are a voracious bunch, willing to go to bat for the authors they like. There’s talk about how the M/M market is over-saturated, how it seems like everyone in the free world is writing a book about two dudes (or three or four—I saw one recently with SEVEN guys. My God, can you imagine the clean-up that has to go on after a seven-way? *shudders*) Maybe there’s a lot of m/m books out there. Maybe some better than others. But regardless of that, the readers are what are important and again, if they find something to latch onto, they do, both good and bad. Hell, I can even admit to a bit of snobbery about passing on a book I thought may have been interesting simply because the masses seemed to dislike it. Seriously though, as a new writer? I would have not gotten anywhere without word of mouth. What the hell did I know before it came out? Zilch. Nada. Facebook? Oh sure, I had an account I never used. Goodreads? WTF is that? You want me to keep up with a blog? Are you out of your damned mind? I hate computers. But for some damn reason, people talked about my book, both good and bad, and it caused people to read it. Which, to be honest, humbled me and shamed me. Humbled me, because I never expected that. Shamed me because I was one of those readers who read books and then never wrote reviews about them. I didn’t feel the need to share my thoughts with others on what I felt about a story. Now I am caught playing catch-up, simply because I know how important reader reviews are to an author. I won’t make that mistake again.

The Fifth: There’s never been an experience quite like this one. I’ve been told, “Oh, there’s nothing like having your first book published!” I’ve also been told, “You get that feeling with every book.” Can I tell you what it’s like to be published? A lot of you may know. Some of you may disagree with what I say. But for me? For me it was horrifying. It was exhausting. It was sheer blinding joy, a definite decrease in sanity, frustrating as all hell. My first good review. My first bad review. The email I got from a soldier in Iraq who told me my book gave him courage, that at the tail end of DADT, he was ready to tell his squadron about his sexuality. The email I got from the irate housewife who asked me personally that I provide her with a refund because of how awful my book was. The time I was at Starbucks with a friend and saw a woman reading a paperback copy of my book. I nervously went up to her, told her I was the author. She laughed so brightly and asked me to sign it for her. Her name was Megan. Somehow, I misspelled her name. And then I bought her a scone. She gave me a hug and I never saw her again.

Everything that has happened since I became a published author has been like the scariest rollercoaster in the world, one that I sometimes wish would stop so I could get off and just breathe for a moment. But it doesn’t. It won’t. But that’s okay. I can’t stop now, not now that I’ve had a taste.

And you know what? I wouldn’t change a damn thing.

And that, ladies and gents, is what I’ve learned.

Thanks to Lou for letting me blah, blah, blah on her blog!

(Oh, and P.S.—While spell checking this blog post, “felching” came up and MS Word asked if I meant “belching.” If you know what felching is, you would know why I found that to be grossly hysterical. DON’T LOOK IT UP.)

When TJ Klune was eight, he picked up a pen and paper and began to write his first story (which turned out to be his own sweeping epic version of the video game Super Metroid—he didn’t think the game ended very well and wanted to offer his own take on it. He never heard back from the video game company, much to his chagrin). Now, two decades later, the cast of characters in his head have only gotten louder, wondering why he has to go to work as a claims examiner for an insurance company during the day when he could just stay home and write.

He lives with a neurotic cat in the middle of the Sonoran Desert. It’s hot there, but he doesn’t mind. He dreams about one day standing at Stonehenge, just so he can say he did.

TJ can be found:

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Filed under Dreamspinner Press, featured authors, just a category, M/M romance

Ford, Noble, Barwell, Klune, Sylvre get together for a cluster… interview

We five authors had a lot of fun doing this, and we hope you’ll enjoy the results. Each of us came up with a question for the interview, and all of us answered every question. So let the games begin!

*************************************************************************************************

As both a writer and a reader, what ingredients do you consider indispensable for a romance novel?

Anne:Interesting three dimensional characters and a ‘real’ relationship or building of one between them. I want to be able to care about the characters, even if it takes me a while to grow to like them. There also needs to be some conflict they need to work through whether it’s their history, a situation outside of their relationship or whatnot so that their HEA or HEA feels as though it’s deserved and worked for.

Lou:
Attraction
A common enemy or opposing force
Conflict between the parties to the romance
Resolution of that conflict
United victory over the external opposition
A final consummation or sealing of the new love.

Elizabeth: A solid plot and a good story with characters I have some sort of emotional reaction to, even if that means the character is a jerk.

I’m a huge fan of the happy ending, in some manner, and I’m not a fan of the tragedy. I read because I want to feel good, so the characters and the plot need to come to some logical end that is at least nice. I don’t mean they have to be ooey-gooey, just not in tears and emotionally wrecked at the end.

No matter the setting and world the characters must be believable and solid in their development and the development and progress of their relationship. I particularly need characters who can communicate and have a sense of humor.

T.J.: Believable characters. I can’t tell you how many times I’ve been pulled out of a story when a character suddenly just does something that makes me go WTF!?!? It’s a bummer when that happens because it can definitely effect how I read and view the rest of the story. When I write, I have a long thought process for most scenes, where I will sit back when it’s finished and think “Okay, would (fill in the blank) REALLY do/say what whatever they just did/said?”

Rhys: A romance? Whoosh. Um. Keep track of the dead bodies. Never ever write about a ferret. And most importantly, I would say a sense of realism. I love happy ever afters as much as the rest but there’s something satisfying about seeing a relationship build over a series of books. And hot sex. Okay, that just helps.

Plot or character, which comes first?

Anne: A bit of both, depending on what I’m working on. I work a lot on what-ifs either with specific characters in mind or those characters show up and become a part of whatever happens or is going to happen. Once I have the basic plot, how the rest of the story develops is very much down to the characters and where they want it to go, often leading in directions I hadn’t thought of or where I hadn’t planned to go.

Lou: For me, character almost always come first. The characters demand my attention until I make them a story, but then they change the story as we go along until, in the end, it rarely resembles the story we started with.

Elizabeth: Ah, the old chicken or egg question…LOL For me it’s the plot and generally not even the entire plot. I’ll often come up with an entire plot idea based on some small scene or even a line in a scene or dialog. I’ll often imagine a character physically along with that little kernel of a plot idea, but I’ll develop the characters to suit the story.

T.J.: Characters, all the way. I have weirdness going on in my head where my characters “talk” to me and are born as such. Plot follows, but it’s usually only after I’ve already thought up how character will look/sound/act. But obviously, there have been moments where a set piece has come into my head and I love to find out how my characters will fall into it.

Rhys: I’d say the main characters. Mainly I write series so I need characters that can hold up over a few books. If they aren’t complex enough, then the plot of the book falls apart. For me, there are two sets of plots; the book’s plot which will be resolved at the end and the arc plot which should span over the series. There could be smaller sub-plots accompanying the main arc plot but they must supplement the overall story, not overwhelm the characters.

How do you name your characters, or do they already show up with their own names or ‘correct’ the names you’ve chosen?

Anne: Some characters turn up already named, others I have to hunt for. One of my favourite websites is ‘behind the name’ as it gives the meanings of the names and their origins which I like to keep in mind when I am naming characters. Others though, as I’ve said, just turn up with all of that in place and don’t care about what their names mean. I’ve also named characters, started writing and been told, in no uncertain terms, that no my name isn’t this, it’s this. I don’t tend to argue with them on that.

Lou: Naming my characters is almost a ritual with me. I struggle (though I enjoy it) to find a name that is right — representing ethnic origin and character traits, having the right sound, and interacting with other character names the right way. My first resource is a baby name book that I’ve had for years, but sometimes I use other sources, too. In the process, I almost always learn more about my character (by knowing what does and doesn’t fit), or at the very least solidify the character in my mind. Sometimes, a lesser character comes with a name: Margie, Jim Ladd, and (believe it or not) Mack Money. For the dog in Delsyn’s Blues, a reader named him in a contest. That was fun.

Elizabeth: I don’t have any specific ritual I go through to name characters and often the names just pop into my head. If I have the wrong name I know it and keep searching until the correct one shows up. Sometimes I use online name sites if I want a certain meaning or nationality.

Another trick I’ll do is go through the data base of names of at work and pick a first and last name that appeals to me. I’ll sometimes read movie or TV show credits for names. I keep a list of names to peruse when I’m naming characters.

T.J.: As a writer who has somewhat…different names of characters, I’ve been asked how I get the names that I do. (I anticipate that won’t change when This Is How We Burn The World comes out and people get to meet Seven, and the Clock Twins, Tick and Tock.) They generally show up in my head already named, but sometimes some tweaking is in order. For some reason, I’m drawn to “A” names for secondary characters and I have yet to figure out why.

Rhys: I usually “taste” a character’s name. It’s rare that I change something once I start writing. It has to fit the person before I start. I know the character. Then I name him or her.

Lion and Unicorn battling over the Crown

What is a “classic tale (fairy or otherwise)” that you’d like to retell. And how?

Anne: St George and the Dragon. I’d rework the story a bit though so that the so called dragon slayer really isn’t one and the dragon is a shifter and so naturally there’s a HFN in there for both of them. After all fairy stories and the like are only based on the truth and the actual story behind it can be quite different. *sigh* I’m going to have to write this one now at some point. Thanks, Rhys 😛

Lou: I don’t have anything specific, but I really love TH White’s The Once and Future King. Let’s face it, it’s chock full of little tales that could be—should be—gay.

Also, on a completely different note, there is a beautiful Iroquois tale that has at least a couple of versions for each of the nations about a young man who falls in love with a salmon wife. He sees that beneath the lake is a mirror-image world (and here we all thought it was reflection), and he goes to live with her there. No, he doesn’t drown! Why would you think that? ;-)Anyway, I think it would be very fine if the mirror-world lovers were both fine young men.

Elizabeth: The Three Musketeers. Well, I think instead of bromance there’d be more actual romance between the Musketeers. It sort of screams for it. I’m not sure who I’d pair with whom yet, but, yeah, that would be cool. My second choice would be the Atlantis legends.

T.J.: Sleepy Hollow, hands down. The original scared the crap out of me when I was a child and I recently read an M/M take on it that I though could have been so much more than it was. I’ve stewed on the idea for quite some time, even having gone as far to write a general outline, but I’ve stopped time and time again, just because I don’t think it’d be right to mess with what is obviously a classic.

Rhys: Damn it, I came up with this question and I don’t have an answer. What a fricking fail! Um… I would say a more current tale that I would love to re-tell is The Treasure is the Rose by Julia Cunningham. Fantastic book. Perhaps the Wizard of Oz. Less… psychotropic drugs but still, that would be fun. I would love to take a stab (no pun intended) at the Ninja Circus, an old Japanese drama about a group of assassins traveling from town to town as an entertaining troupe.

Is there a particular genre or sub-genre that you’ve always wanted to write in but have not done so yet? What would it be?

Anne: Gothic. I’d love to write a ghost story, but give it a bit of a twist and throw some romance into the mix.

Lou: Space opera!

Elizabeth: Space opera! I’ll have to second that.

T.J: Horror. Man, would I give my left arm to be able to write in horror. I’ve read every Stephen King book countless times and I always wished I could write a good horror story. I think that horror can definitely be effective in the long story/novella format i.e. Edgar Allen Poe, and I still hope to one day sit down and write something that’ll scare the bejesus out of everyone, myself included.

Rhys: Wow, I have no answer for this one either. I’ve written in a lot of genres. I would say I’d love to Regency romance (in the style of Loretta Chase). So much discipline and knowledge needed for those. And the language shifts. Totally daunting. And of course, as a male-male romance.

Anne Barwell is the author of Cat’s Quill, Tj Klune is the author of Bear, Otter, and the Kid, Rhys Ford is the author of Dirty Kiss, Elizabeth Noble penned Marked Yours, Together Bound, and Strays, and I wrote Loving Luki Vasquez.

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Yesterday’s 4 author chat at LRC—Thank you!

Yesterday Tj Klune, Elizabeth Noble, Anne Barwell, and I (Lou Sylvre) “chatted” at Love Romances Cafe. Thank you to everyone who came to hang out. We had some significant technical difficulties despite the best efforts of illustrious and much-appreciated moderator Dawn Roberto, and many people were unable to comment. Happily, contest entries did get through various channels and we had winners! If you were there and couldn’t get through, we missed you. I hope you enjoyed the chat anyway, liked the excerpts and question/answer posts, and maybe learned a little something about unicorns and edamame.

If you weren’t there, You can still check it out—just go to Love Romances Cafe and jump to about message 268180. If you want to contact one of the authors about something you read there, please do—we all have our contact information in our messages. I, for one, would love to hear from you, and I’m sure my fellow authors feel the same.

(About the edamame image above, I found it at http://fuckyeahedamame.tumblr.com/. I could not find the creator’s name, nor the owner of the site, not even anything in the source code. If you own this picture and object to my use, please let me know and I will immediately credit you, or remove it. Thank you.)

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4 Author Chat Oct 8th at Love Romances Cafe—You’re invited

On October 8th, we’re going to be chatting at Love Romances Cafe. Hours are noon-6 eastern (9-3 Pacific). We hope you’ll join us.

Participating authors:

Elizabeth Noble author of Marked Yours and Strays

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Tj Klune author of Bear, Otter, and The Kid

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Anne Barwellauthor of Cat’s Quill

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Lou Sylvre author of Loving Luki Vasquez

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As you see, quite a variety of styles and themes. We’ll be chatting about what’s out, what’s soon to be out, what we’re working on, but also about whatever you’d like know.

We’ll be having contests, posting excerpts, and blurbs, and who knows what else. I really, really hope you’ll come and chat with us!

Oh, yeah, one more thing. Here’s the link to Love Romances Cafe, and you have to join to chat. Of course you can unjoin later if you want, but they have some great promos there, from time to time.

Leave a comment here if you have any questions.

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Filed under authors, Dreamspinner Press, just a category, Loving Luki Vasquez, M/M romance