(I rarely note “warnings,” but there are potential triggers here. Beware if you’re vulnerable. – Lou Sylvre.)
Madeira Desouza has a new gay erotic sci fi tale out: Baja Clavius.
This controversial science fiction adventure depicts gay male time travel agents with very bad behaviors. They are violent and immoral men.
A few hundred years from now, these time travel agents work within a top-secret agency located beneath the crater Clavius on the moon. Their time-travel missions take them to Earth in the past where they ruthlessly manipulate man who are targeted for their roles in the outcomes of historical events such as the Oklahoma City bombing in 1995.
Yesterday I was lost and I died. Today I am alive again. I accept the truth about foregone tomorrows and my resurrections from the dead.
I do not claim to be a believer in a deity or a religion. Yet, I have personally experienced being repeatedly brought back to life after death. Something far more powerful than us human beings resurrected me. And now, everything I have learned about living, dying, and then coming back for more is presented here.
I have been coerced into creating this journal of my experiences. I will suffer if I am less than completely truthful. I will be held prisoner until I have completed this in full.
I work for a top-secret international agency that is so deeply concealed nobody could possibly find it. Baja Clavius is the name of the international base of operations where I live. It is from that base that I travel in time to work assignments on Earth.
Desperate efforts by others to censor this work all have ended in failure. Just to confuse you, others have circulated conflicting versions of this. But I defeated all my enemies who wanted to prevent you for seeing this.
I begin by sharing my memories of being back in my home state of Arizona—on foot trudging through the desert under dark, threatening thunderclouds that do not diminish the hottest day I have ever felt in my entire life. Through an unexpected break in the storm clouds, I see bright white sunlight and the most magnificent color of blue sky. Up there above me a haunting full moon commands my attention.
Sticking out of the landscape under the ominous skies is a mechanical structure apparently made mostly of wood. As I walk closer to the device, it looks to me as though it was created specifically to slow down the process of hanging a man by the neck so that he will experience extended agony before his death.
Hung from a thick brown rope wrapped around a wheel wench is a muscular, shirtless, and barefoot man with his arms unbound struggling desperately to stay conscious as his neck is crushed in the noose. I see his high cheekbones and long dark brown hair that is tied behind his neck into a queue. I watch his bare feet kick the sky.
I notice a pair of unattended video cameras on tripods positioned nearby on the desert floor pointing toward the hanging machine. Why would anyone go to the trouble of videotaping this man’s death by ritual hanging?
I know that I have met him previously. But this man whose name I cannot remember somehow seems to hold a distinct place at the very center of faulty recollections in my brain.
Off in the distance fifty meters or so to the west of my location, I can see four men wearing cowboy attire running away. I must have scared them away when I approached. But they left that helpless man to die on their hanging machine.
He is someone who seems obviously capable of having put up very considerable resistance against this merciless fate. His powerful body attracts my full attention. He looks like he is about thirty years old—the same age as me. His legs wildly swing in all possible directions as I reach the hanging machine. He desperately tries to reach his hands up to his neck as if it somehow were possible to free himself from the noose. But that is impossible! He groans when he sees me as if to try and tell me something.
His faded blue jeans are too tight for him. I stare at his bulging crotch as he dances in the air at the end of a rope. I marvel at his incredible masculinity contrasted with utter vulnerability. This man looks strong and tough. He must certainly be capable of protecting himself against anyone with success. But, not now.
He cannot save himself. He is simultaneously very manly and totally defenseless. This precise opposing combination of traits is, I’m sure, why men watch executions of other men.
His deep, dark eyes remain open, defiantly staring outward into the eerie sky. He resumes his kicking, but much more forcefully now.
His tight blue jeans emphasize his growing bulge. He has attained a full erection ahead of what will be his final ejaculation into his jeans. There is intense humiliation on his face. His body jerks wildly. As he shoots his last load in his pants, his neck cannot withstand the crushing force of the noose. I am stunned because I did not expect to see his body spasms, kicking, and curling of his toes.
Very suddenly, he just stops struggling. His body no longer can fight back against the effects of gravity and the noose that has applied fatal pressure to his vulnerable neck. I watch him desperately try to open his mouth to breathe, but he has no life remaining in him. I am overwhelmed with intense anger and shock as I slump to the ground. I cry without any shame for this stranger. I feel stunned by my sexual attraction to him. It is as if I have lost someone who has been very significant to me and to my life.
Even though I feel instinctively that I have suffered memory loss, I can remember where I work. I especially remember being inside some kind of cylindrical blue machine.
The inside of the circular blue glass machine was filled with a milky white liquid. It was translucent and unpleasant. It smelled like chemicals. I was naked. I felt like I was drowning. But I knew I was not going to drown. Something has taught me that I cannot die. I know with absolute certainty that I do not know death. I live on and on. But, I have so many questions that I cannot answer. Why am I repeatedly resurrected? Will I live forever?
Notes from the Author on Diverse Characters
What motivated you to choose a wide diversity for your science fiction characters?
Both of my grandfathers came from Portugal’s Azores Islands situated in the Atlantic Ocean some 850 miles off the western coast of Europe. I grew up as a cultural minority within the Portuguese community situated midway between Los Angeles and San Francisco. So, I definitely come from “old country” roots.
When I first started creating the characters in “Baja Clavius” I imagined that 200 or 300 years from today, people probably would not feel ethnic or cultural prejudice like we have nowadays.
My all-male time travel agents working inside the crater Clavius on the moon are from many well-known peoples of planet Earth. I prominently feature a Mexican or Latino hero named Ted Avila. He’s the narrator. The exact heritage of time travel agent Avila in the book is left open to individual interpretation. But although the character’s surname can readily be found in both Portuguese and Hispanic populations today, it is pronounced differently in various places. For example, the “A” in Avila Beach, California is pronounced like in the word apple.
I suppose I may have crossed the line when I created “new prejudices” such as the future society believing gay men are more successful in life compared to straight men, and, a very clear hero-worship of gay men who are celebrities for their sexual prowess. But unlike in the 21st century, nobody in the future society I created is prejudiced based on the color of a person’s skin or ethnic characteristics. Several prominent characters in “Baja Clavius” stand out in this regard. Time travel agent Vincent Wauneka is a Native American Indian born in the Navajo Nation. Markus Tagawa, director of time travel operations, is Japanese American. A second director of time travel operations, Marvin Mainer, is African American.
Madeira Desouza is a gay male author. He focuses upon telling stories about mature, masculine men who are sexually attracted to other mature, masculine men. He steers clear of several deeply embedded traits of American gay culture that can be found in film and in print–eccentric or flamboyant behaviors, alkyl nitrites, dance music, trendy clothing, trendy hair, gay men who think age 30 is old, and so forth.
Desouza’s creative works belong within the bara genre. This little word is shortened from barazuko. Translated from Japanese, it means rose-tribe, which is a code phrase for gay men. Originated in Japan decades ago as gay men created works for other gay men, this genre has not yet been widely embraced internationally. Perhaps this is because bara bara depicts same-sex feelings and sexual attraction to masculine, muscular men who sometimes behave in aggressive, violent, or exploitative ways towards one another.
As both a storyteller and digital artist Desouza explores conflicting and opposing compulsions that all men have. On one side there are impulses men have towards sustaining life, engaging in love, and being attracted to others. In the opposing direction are impulses men have towards being aggressive, engaging in violence, and, causing pain and death. For centuries, artists and storytellers around the world have found inspiration in these two opposing human compulsions that no man is able to resist or impede merely by his conscious will alone.
I’ve decided to go on record in a public way about the Dreamspinner situation—if you don’t know what I’m talking about, just do a web or Facebook search. I’m speaking up in response to some harsh words I’ve recently heard about the company and about authors still with them trying to go about the regular business of promoting books published by them. Dreamspinner once made my dream come true. I’m grateful, and I still believe Dreamspinner is basically honest, not a conniving corporation out to bilk authors or anyone else. They made some poor business decisions, and they took too long to admit that they’d made mistakes (but they did admit it). In addition, my personal belief is that they’ve made some poor editorial decisions. I admit I could be biased by the way a rejection was handled by one individual whom I won’t name because despite my pain I can’t know that the hurt was intentional. That person’s perspective on it is obviously different from mine. (I occasionally try to be an adult.) But that aside, I believe, as an observer with a limited field of vision, that it may have been a mistake for Dreamspinner to concentrate so completely on current reader trends and on certain authors to the exclusion of others who might work at a more traditional pace, possibly on books with a more evergreen style.
In addition, I want to go on record saying I believe that despite mistakes, Elizabeth is an honorable person, along with at least many of, if not all of, the people who work with/for her, like Anne Regan and many others. Perhaps Elizabeth was too hands off with the day to day business—like editorial decisions, like managing royalty payments. Perhaps, I say because I am in no position to know what happens behind the scenes. But certainly if she was not an honorable person, once she learned what a debacle the current royalty payment mess was, she would not have undertaken to go through over a thousand accounts one-by-one herself in order to make sure things got fixed. And, she’s made a wise and probably caring business decision to go to SBA rather than a bankruptcy lawyer.
Most of the rights that are reverted to me are mine because—before any of this—Dreamspinner opted not to renew my contracts, which broke my heart. (I cried for days and still cry about it sometimes even though the books were immediately swept up by another publisher.) But I think it was a business decision made with the best information available at the time, and I can accept that (more or less, lol). Asking for my rights back on the one title I now have with Dreamspinner Press as a sole author would not be worth the trouble at this time. And the series I have in progress with Harmony Ink—well, it’s in progress!
So I’m sticking, for now, and I honestly expect not to regret that. Would I sub another title to Dreamspinner? If I wrote the right book, probably yes. I won’t ever make them the sole basket for my eggs again, but that was foolish for me to begin with. It might not be foolish for someone else, but it was in my case. The same is true for other authors choosing to pull their titles—they’re doing what’s right for them and I support them.
I am still waiting for first quarter royalties. It’s an inconvenience, but I’d be just as broke right now if I had them as I am without them (though another bill might be paid). I fully believe I’ll get paid what I’m due.
I also believe Dreamspinner will pull through, and with a course correction, be a strong and thriving force again in the world of MM Romance and LGBTQ+ publishing, as well as in the community of people who stand for equality in the right for all individual to pursue happiness and full, rich lives.
Could I be wrong about all this? I suppose, but I’m pretty sure I’m not. If I am, more fool me. Thank you, anybody taking the time to read this.
I’m excited. Luki Vasquez and Sonny James will be back in town in less than two weeks, June 28, 2019. Same stories so many readers gave and reviewers gave 5 stars. A new edit got rid of some of pesky little errors and updated a Camaro (no really), but the guys, their wild rides through suspense-land, and their loving romance is all there in a brand new bundle. Watch this space for links to the ebook market places. It will go up for preorder and release first on Changeling’s catalog.
In this Volume
Loving Luki Vasquez — the story that started it all!
Renowned but reclusive weaver Sonny Bly James masters color, texture, and shape in his tapestries, but when he meets Luki Vásquez, an ex-ATF agent and all-around badass, his heart and desire spin out of control. The heat between them won’t be denied, but love won’t come easy for beautiful but shy Sonny, and Luki wears his visible and hidden scars like armor against romance.
They try to run from lust and love, but soon it becomes clear they have bigger problems. An evil, violent stalker has targeted Sonny, and Luki’s protective instincts take over. When Sonny discovers his beloved nephew is at risk, he must choose to trust Luki’s strength and skills, even though he’d rather stay away and avoid loving Luki Vasquez. United by danger, can Sonny and Luki put fear and anger aside, and fight together to save Sonny’s nephew and their own lives?
Delsyn’s Blues — in which a (literal) cliffhanger is narrowly avoided.
Devastated by loss, Sonny James listens to a voice singing the blues from beyond the grave. Convinced he’s failed in an all-important life task, he tries to shut out Luki Vasquez and love just when he needs him the most. But when Luki finally breaks through Sonny’s fortress of grief, it’s just in time for the newly reunited couple to face a new, violent, escalating danger.
Tensions mount, and suspicion threatens to strain their newly mended love to the breaking point. But no matter what Luki fears Sonny might have done and how it might affect their future, he’s determined to keep the man he loves safe under his watchful eye. Together despite their fears and sorrows, they undertake a wild trip to find a madman, stop a crime spree, and save a friend. If they succeed, can they also save the deep passion and enduring love of their treasured, surprise romance?
Finding Jackie — what you do when a mob hit man is bent on revenge.
When Sonny James asked Luki Vasquez to marry him, Luki’s “yes” was accompanied by a request—a wedding in Hawaii. Months and many trials later, their hilltop, island ceremony is poignant and funny, and every bit as beautiful as they’d hoped. The honeymoon is all sex, surfing, and sunshine… until the shadow of death and danger finds them once again. This time, Luki decides a badge will help him deal with the threat, a choice that spells discord for the newlyweds. Passion shines through, but soon the darkness deepens: a former informant brings Luki a troubling message from a renowned Mob hit man. Then Luki’s sixteen-year-old nephew, Jackie, is catfished and kidnapped by a sadistic killer, and the honeymoon is well and truly over.
Luki and Sonny know love and family are far more important than their lingering disagreement. United in purpose, they struggle to unravel intertwined terrors and follow the threads that might lead them to finding Jackie. The hunt takes them from soup kitchens and leather bars to dusty desert back roads, and relies on all the strengths, talents, and allies they can muster. When it all comes to an ultimate showdown with evil, it’s not only love at stake, but their lives.
(And then, in July ride along with Luki and Sonny in volume 2 for more love and more edge-of-the-seat suspense.
Lou’s Rainbow Gate Book Blog is happy to welcome Michael G. Williams.
Michael G. Williams has a new queer sci fi book out: A Fall in Autumn.
WELCOME TO THE LAST OF THE GREAT FLYING CITIES
It’s 9172, YE (Year of the Empire), and the future has forgotten its past.
Soaring miles over the Earth, Autumn, the sole surviving flying city, is filled to the brim with the manifold forms of humankind: from Human Plus “floor models” to the oppressed and disfranchised underclasses doing their dirty work and every imaginable variation between.
Valerius Bakhoum is a washed-up private eye and street hustler scraping by in Autumn. Late on his rent, fetishized and reviled for his imperfect genetics, stuck in the quicksand of his own heritage, Valerius is trying desperately to wrap up his too-short life when a mythical relic of humanity’s fog-shrouded past walks in and hires him to do one last job. What starts out as Valerius just taking a stranger’s money quickly turns into the biggest and most dangerous mystery he’s ever tried to crack – and Valerius is running out of time to solve it.
Now Autumn’s abandoned history – and the monsters and heroes that adorn it – are emerging from the shadows to threaten the few remaining things Valerius holds dear. Can the burned-out detective navigate the labyrinth of lies and maze of blind faith around him to save the City of Autumn from its greatest myth and deadliest threat?
The sun was over the trees at the southeastern edge of the sloped opening in the forest when I awoke. The sun woke me, actually: its rays on my face, the flicker of shadow and light as it played across my closed eyes. I was half dressed: my shoes off, my feet bare, and my coat spread over me in lieu of a blanket. My shirt was somewhere, probably. I wasn’t wearing it, anyway, and my eyes hadn’t opened yet, but I could feel it nearby the way you can sense an old dog by your chair or a former lover on the opposite side of an otherwise perfectly nice party.
My back curled against something firm and supporting and I felt gentle fingers stroke the tufts of silvery black at my temples. Hematite, a man told me once. I would always love him a little for saying that. My hair there wasn’t yet gray but no longer black and when wet it looked like hematite, and he said it like that meant something deep and significant and mystical I didn’t understand. Having someone’s fingers run through it felt good, though. It felt like a happy memory, like something I didn’t expect would happen much anymore if it ever really happened in the first place.
That simple touch was a comfort to me. It’s the most minor thing and, for that reason, the most missed when it’s gone. I don’t go long stretches without being touched, but it had been a while between caresses. This was that: a caress, and more; not exactly sexual but not exactly platonic. It was that happy in-between we call intimate. I made myself vulnerable to other men, and they themselves to me, more times than I can count in my too-short life. It didn’t always work out, though, that my usual flavor of street trade would show basic human kindness in return for mine.
None of that mattered, though. Those guys were long gone. Right that second, someone ran his fingers through my half-asleep hair, intimate and kind and caressing. I felt vulnerable and that was okay. For a few moments I wasn’t dying and I wasn’t scared. I wasn’t lonely and I wasn’t alone. The sun felt good, and the breeze through the branches sounded like Gaia herself telling me to go back to sleep. I thought for a moment I might be okay with dying fairly soon if I got to wake up like this every morning for the rest of my life.
“Okay,” I groaned. I didn’t move and I didn’t open my eyes because I wasn’t quite ready for the moment to go away even as I lifted the pin to pop its balloon. “You want something. So tell me what it is. Because if I say yes – if– I may not have much time to hold up my end of the bargain.” My voice dispelled all the magic of the moment, but his fingers were still at my temple, resting there, ready to go back to what we shared moments before. I rolled over and looked up at Alejandro, his purple hair down over half his face as he leaned on one elbow. I didn’t kiss him, but I did put one hand to his jaw and brush his cheek with my thumb. I wondered if he could feel that – really feel it, like skin feels it. “Let’s not pussyfoot around this. You want me to do something. The whole story about the angel and thinking someone was trying to kill you was bullshit, but there was something there, something worth chasing, so let’s have the truth now and get on with things.” I tried to smile at him. His expression was completely blank.
With the hand he used to brush my temples, he laid a fingertip behind my ear, cupping my face with barely a single point of contact. He still didn’t smile, but his eyes searched my face, my own eyes, for something. It occurred to me the correct phrasing might be to say he searched my eyes for someone. I assumed he’d been alive long enough to know a hell of a lot of people, and I would bet a nickel he looked for one of them in me. There are a hundred romantic stories about golems: meat sacks like me throwing ourselves at a golem out of infatuation with their embodiment of agelessness.
If he’d been there before, heard a hundred thousand of us wail about mortality and still willing to hear number one hundred thousand one, he must have a lot of love for humankind. No, I thought, more than that: he must have loved the hell out of oneof us at some point. Maybe he was waiting for that guy to walk back into his life, reemerging from the vast but finite pool of genetic factors we possess as a species. I wondered if I simply seemed close enough to that long-lost lover to pass muster for a night.
I also wondered what made a golem want to get laid in the first place: ever the detective, after all.
“I really did see an angel in Splendor,” Alejandro said. He still wasn’t smiling. If anything, he had the muted seriousness, the understated gravitas, I’d long since come to recognize as the posture of someone telling the truth at long last. I wondered how long it had been. “I swear it to you. I swear it.” He surprised me, then, because he didn’t cry, golems don’t have tear ducts, but his eyelids quivered with the autonomic response to strong emotion. He still hadn’t moved at all, and we were shielded from the breeze so that his hair hung straight down like a perfectly still and settled curtain across half the stage of his face. “And I believe it would try to kill me if it knew I were here.”
Michael G. Williams writes wry horror, urban fantasy, and science fiction: stories of monsters, macabre humor, and subverted expectations. He is the author of three series for Falstaff Books: The Withrow Chronicles, including Perishables (2012 Laine Cunningham Award), Tooth & Nail, Deal with the Devil, Attempted Immortality, and Nobody Gets Out Alive; a new series in The Shadow Council Archives featuring one of San Francisco’s most beloved figures, SERVANT/SOVEREIGN; and the science fiction noir A Fall in Autumn. Michael also writes short stories and contributes to tabletop RPG development. Michael strives to present the humor and humanity at the heart of horror and mystery with stories of outcasts and loners finding their people.
Michael is also an avid podcaster, activist, reader, runner, and gaymer, and is a brother in St. Anthony Hall and Mu Beta Psi. He lives in Durham, NC, with his husband, two cats, two dogs, and more and better friends than he probably deserves.
To set up this exclusive excerpt for a moment, let me explain that at this point in the story Valerius needs to navigate a huge open-air market in the worst part of the city. It’s called the Lower Market Market because it’s a market on Market Street. Most people refer to it as just the Market, or the LM, or the LMM.
Valerius knows he’s going to have to contend with multiple gangs of thieves and enforcers to get from one end to the other, and he’s bribed his way through the first section by performing, uh, favors for a young knife-fighter named Fiono. Fiono has a big mane of hair that reminds Valerius of a lion, and he very quickly starts thinking of him that way.
Fiono is clearly talented as a fighter, but he’s somehow gotten in trouble with his very businesslike criminal outfit, the Hendricks Gang, and been busted down to guarding the boundaries of their turf. Valerius has bribed Fiono to accompany him to their contested border with the next gang, the Busters, who are decidedly less formal in their presentation and conduct. Valerius used to be a criminal himself – he spent years as a sex worker in this same market – but it’s been long enough that none of his old contacts are around and none of his old street cred matters. He’s become an outsider to this system he once called home, and now he needs that system’s worst elements to protect him from the rest of it long enough to follow a lead.
We walked for maybe twenty minutes. Different people here and there greeted my Hendricks protector in various ways. Some of them were rent boys, some were rent girls, some were hawkers whose tone was the forced joviality I recognized as fear on seeing him. I wondered if he were especially cruel. Perhaps he had a reputation as a gifted slicer. From what his partner said, he was bumped back down to working the door because he fucked the wrong person, which meant he’d been high enough up to get knocked down. And, of course, maybe these people reacted less to him and more to the organization he represented.
I tried engaging him in conversation—I told him my name, offered a hand to shake—but he kept walking without even looking at me. Maybe he pissed off a trick who then made trouble to get back at him. Maybe he was mute. I found myself manufacturing a hundred different reasons why a street tough like Fiono would get blown in the shadows by a wrung-out stranger like me, then walk a mile without saying a word. In most of my manufactured scenarios, he did it by choice. I imagined Fiono aloof in that way a teenager might find romantic but I found a little sad. In some of them, it was tragic circumstance: Fiono cast in the role of my One True Love, found too late to save him from the gyro accident that stole his speaking voice; or the damage to his larynx from a case of Child’s Malady had been too severe; or he was born silent and would, like a swan, only speak on the day of his death at which time his voice would be shockingly beautiful.
After a sensory-numbing slideshow of spice merchants, back-alley pinpricks selling unfiltered shit in dirty needles, an arcade of manual games operated by the few kids not out trying to steal dinner, furniture huts, games of dice huddling in gaps, accusations of counterfeiting, and who knows what else, we walked down some rickety steps one at a time.
Fiono, The Boy Lion, nodded in the direction of one of the warrens and turned to go.
“Wait.” My voice was quiet, but I didn’t push my luck trying to sound intimate. He paused. “I may need them to see a little muscle to let me get through. I mean, these are Busters we’re talking about.”
He shrugged, leaned against a post, and a knife appeared between his fingers without his visibly removing it from anywhere on his person. Fiono started picking his nails with it. The knife was tiny, the weapon of a guy who enjoyed feeling a foe’s dying breath gutter out against his own face.
“What’s Hendy trash doing sitting on our curb?”
I looked in the direction of the new voice and saw two women with football bats and bandoliers of knives walk to within ten meters and no closer. The one speaking appeared the older of the two, but neither of them would have qualified as an adult in the Imperial census. Busters will take anybody desperate enough to volunteer, but these two looked like they had skills and intentions.
“He came with me. I need to get to a fruit dealer. Let us by.” I tried to sound proud but compliant: the default state of one who knows he’s been beaten by a larger foe. There was a middle finger in my voice, but my eyes didn’t meet theirs.
“Let you by, you mean. We’re not letting a Hendy onto our turf.”
Fiono turned to go at that, hands up in a gesture indicating very clearly he was done participating in this minor melodrama.
“Wait.” I didn’t try to hide that I was begging. “Please, wait. I need all three of you to go with me, and I’m willing to pay.”
Fiono turned back and stared at me. The Buster who’d done the talking burst out laughing. “You want Busters and Hendies to help you out at the same time? Buddy, you don’t need to work so hard to set up a fight. Usually throwing something will get it started.” She laughed again. “Now come with us, and we’ll figure out how to get you there and how much it’ll cost.”
That’s the thing about the Lower Em. I could have found the place on my own. I could have probably paid off the guards and kept walking, or bluffed my way through, but I needed some muscle for this trip to the fruit dealer. Yuri might have gotten bounced out because he didn’t know what he was getting into, but I did. I needed this guy to see I had friends and, even better, I wanted him to see I had friends in at least two of the big gangs.
“No.” I shook my head. “He comes with me, and we all go together. You and he make nice and it’ll be worth your time.”
They exchanged glances, and the younger one blinked at the older. Apparently, that was enough. The older went from pensive to sneering again. “Alright, buddy boy. I mean, it’ll be a hoot to tell the rest, right? For both of us.”
Fiono met my eyes and shook his head once to the left. No dice. He wasn’t sold.
I walked over and leaned in close enough to whisper. “You do this for me, and I’ll put a smile on your face twice a day for a week.”
Fiono considered for a long second, then stepped forward. This kid was going to get himself in real trouble one day.
The three of us drew stares as we walked. Most conversations stopped, but some others took on new vigor—and new subject matter—as we passed by. There were people who were too stunned to contain their reaction on seeing a kid in Hendy blue walk with two beat sticks in Buster yellow rags. (Busters identify themselves with tufts of yellow woven into complicated braids in their hair.) I heard something metallic clatter against the scaffolding as we rounded a corner. The Busters refused to tell me their names, but they made constant patter with one another. One was in front, the other in back, with Fiono, The Boy Lion, walking beside. They joked with one another, they joked about one another, they joked at my expense, and they openly mocked the surprise of the people around us.
“Wot,” the one in front said to a pottery merchant selling plastic painted with shellac. “You never seen blue before? Look up sometime, grandpa!” The other shot back, “He can’t, when he does, he gets shit in his eye!” and then they both laughed these high, keening, vulture laughs, like harpies from prehistoric times. They snorted and farted and pointed at people, stuck their tongues out, made rude gestures. Where the Hendricks Gang has turned their turf into an operating business environment with sustainability and stability highly prioritized, the Busters keep people afraid and have fun doing it.
I remembered what it was like to be afraid all the time—hell, I still felt afraid all the time—and so I hated them for the way they used fear as a tool, but at the same time, I loved their energy. There was a time when I was the kid on the corner shaking my ass at whatever ganger passed, cracking jokes, taunting the serious ones and encouraging the silly ones. That kind of bravery comes from a place of powerlessness, from having nothing to lose. Everything looked like up from where I was back then, and in its strange way that can be liberating.
A part of me whispered there’s never been anywhere but the bottom, for me, that it’s always been nowhere to go but up. So where did that feeling of liberation go?
I didn’t want to go back to those times. I’m not trying to glamorize living on the street, sucking crusty dick in return for barely enough calories not to starve. I’m not trying to say it’s a party. Having nothing is not the same as having nothing to worry about. A lot of my bravery was a lie I told myself to make it through the night. There was a part of me, though, on that walk, with those three, that missed being able to summon up the bravado, false or otherwise. Only the terrorized can achieve fearlessness.
Some street kids—real kids, not the Buster teens, and not Fiono, whose age I pegged at twenty—fell in behind us, singing the songs they make up down here about the gangs and life and dangers to avoid. Like kids everywhere, they make up stories about what scares them, what to stay away from, who’s in charge and why. The songs they sang sounded half-familiar to me because they were based on the songs I heard when I was working these streets. They’d been remixed and rewritten over time, the names changing with the shifting tides of gangs and turf, but the tunes and the themes were preserved from one half-life generation to the next. Very quickly our little foursome turned into an informal parade of Lower Market Market street kids singing and skipping and waving scraps of cloth. Fiono looked a little offended as the Busters joined in on the songs, loving the attention, the grand show we were putting on. Like the one said, it would make a great story for them to tell the others. Fiono took himself seriously, though, so all this abraded his sensibilities, his notion of himself as a slicer who was going places.
“Don’t look so sour.” I hit him with a small smile. “They’re making noise because they’re scared of you.” I nodded forward and back. “And of them. If you were nothing, they wouldn’t need to warn each other of your approach.”
Fiono blinked. He’d never thought about that before. He probably was, once upon a time, one of these kids, too, but he’d never let himself examine that experience. He was too young and too focused on gang captaincy or new knives or his own dick or whatever else he saw as the measure of success. Most slicers only wanted to get rich enough to eat when they felt like it and fuck whom they wished, and eventually to die in a close fight after grievously wounding their opponent. I would probably outlive Fiono, given his current career, but he was still a person. He still deserved a moment of kindness as much as the next living thing.
“Don’t try pillow talk with Fiono,” the one in front said with a sneer. “Better’n you ‘ave tried to put a smile on those pretty lips.”
I started to say something smart, I don’t remember what, when I realized we were there: the fruit seller’s stand. Time to get back to work.
More From the Author
I loved writing this scene so much. It really let me dig into the mishmash of cultures and shifting lines of power at work in this seamy underbelly of the city. The Lower Market Market gets to be the place in the city that most feels alive. It practically boils over with activity, with opportunity, and with people taking advantage of each other and watching out for each other and everything between. Seeing all those factions and forces simultaneously entertained and intimidated by an impromptu parade of singing, dancing street kids and a few members of rival gangs made the Market come to life for me in a way it hadn’t in the first draft. It inspired me to go back and rewrite some earlier sections to bring a little more verve into a dingy part of town.
I loved this scene also because it’s a chance for Valerius to realize how far he’s come from the life he had as a teenage runaway – and how far he hasn’t come. After all, he turned to his old methods when he needed a way across, and he didn’t hesitate to do so. He’s still desperate, still just barely making it in a big, bad world full of people eager to gain the upper hand on anyone and everyone who happens to be around. Valerius hasn’t for many years felt afraid in the way he did as a kid, but he’s also starting to wake up to the fact he still does feel afraid all the time. He’s just afraid of different things.
I think it’s important to feature characters who are weak, and who are looked down upon. It’s important because it gives them powerful motivations to succeed, and powerful motivations lead to daring choices and meaningful turns in the plot. But I also think it’s important because that helps us build empathy for the people we think are beneath us in the real world. It’s important to me to emphasize that all people are people, and all people deserve empathy and consideration and respect. Like Valerius, I think almost everyone deserves more kindness than they’re getting, with the exceptions being the very rich and the very powerful. The powerless among us are the ones who most deserve to be recognized as our comrades in the constant struggle to get by. Valerius feels that, and he hopes this moment right here will teach the others to feel it, too. He feels real affection for Fiono, real sympathy, and I think that’s a much more complex and vulnerable and brave reaction to this silent street tough who’s unquestionably killed, probably many times, than simple cynicism would be. I would much rather work to expose what we have in common with those we think are the least like us than just tell another story of someone exactly like me.
What are you working on now, and when can we expect it?
I’ve just signed a deal for 4 more books in the world of A Fall in Autumn and will be writing the sequel over the summer. I can’t wait! I expect the second book, to be titled New Life in Autumn, will be out a year from now.
Later this year I have several other works, already finished and coming out from Falstaff Books:
Nobody Gets Out Alive will be coming out sometime soon, probably over the summer. It’s the fifth and final(-ish) book of The Withrow Chronicles, my suburban vampire series about a guy who became a vampire in the 1940’s and has declared himself the boss of all of North Carolina’s blood-drinkers. The series is a ridiculously fun sequence of genre mashups – vampires and zombies, vampires and superheroes, vampires and spy thrillers, vampires and war, vampires and their witch frienemies – telling a story that gets increasingly complex as Withrow slowly but surely learns the world of the supernatural is much bigger than he thought.
I also have the four-novella San Francisco urban fantasy series, SERVANT/SOVEREIGN. It starts with Through the Doors of Oblivion, and it’s about some of the most evocative moments in San Francisco’s history – such as the 1906 earthquake and fire – and witches and demons and time travel and real estate scams. I’m just exceptionally proud of it, and I get to really focus on the features of San Francisco I most adore, which are not necessarily the parts of the city they try to highlight for tourists. I don’t know exactly when that one is due out, either, but it’s made it through the content edits and the copyeditor and it’s now with the proofreader, so it’s getting close!
And, last but not least, I’ve reached the rights-reversion point on a bunch of short stories I sold years ago so I’m possibly going to reclaim those rights and produce an anthology of short stories and nonfiction essays I’ve written for various venues. That’s a maybe, though. We’ll see.
Thank you so much for having me – I really appreciate your and your readers’ time and attention. I hope you enjoy A Fall in Autumn and I would love to hear from you about it!
You can find me on Facebook, Twitter, Instagram, and Goodreads.
Folks who sign up for my monthly newsletter get a free short story and can read the ongoing first draft of a story set in the world of A Fall in Autumn but in our time rather than 12,000 years from now. Give it a shot! I keep marketing to a minimum and try to focus on rewarding your interest with new content.
And thanks again!
Thanks to the author and OWI for including us in the tour! Michael, I hope you will visit again. Thanks, readers for comeing by. Comments are always welcome.
Lou’s Rainbow Gate Book Blog is happy to welcome Becca Seymour!
Becca Seymour has a new MM contemporary romance out: “Let Me Show You.”
When a veterinarian and a construction worker connect, it takes mishaps, mistakes, and a Rhodesian Ridgeback named Rex to show them they’re made for each other.
Dr. Carter Falon is content living a quiet life in a small town caring for his animal patients. That doesn’t mean he’s not looking for a distraction. After finding himself precariously wedged… naked and at the mercy of a drop-dead gorgeous construction worker, Carter hires his savior to renovate his home.
When Tanner Grady’s best friend and new niece needed him, he uprooted and relocated without a second thought. His life has since been centered on work and spending time with his family, but when he comes to the rescue of a cute vet, Tanner finds he’s a lot more interested in the homeowner than the house he’s renovating.
“Hey, baby boy.” I smiled. In my late twenties, I was far from a baby, but she’d once told me that even at fifty I’d still be her baby. “Good day?”
“Yep. Not too bad. Nothing too hectic or crazy. You?”
“A great one. Your dad’s booked a cruise for our anniversary.” Excitement lit her words. She’d been hinting at Dad for a while about a cruise. I was pleased he’d listened. It didn’t take a lot to make my mom happy; she found joy in the smallest of things,so that he’d organized it all was pretty impressive. Mom usually organized everything, so I knew him booking the vacation for them was a big deal.
“That’s terrific. Caribbean?”
She actually squealed down the line. I pulled the phone from my ear and laughed loudly. “Yes! Carter, I’m so excited.”
“Really? I’d never have guessed.”
“Oh, hush.” She spoke over me as I laughed again. “Don’t sass your mother.”
My laughter continued. “Never, Mom. You’d tan my hide. Wouldn’t dream of it.”
“I should think not. So anything new? Any dates?”
With a groan, I rubbed my face and then stepped further into the kitchen and pulled out a glass. “Mom…,” I sighed.
“What? I worry about you. You’re so far from home and are there all alone.”
I poured myself a glass of wine and took a sip. “I know you worry, but honestly, life’s good.” Admittedly it would have been nice to hook up, but one, I didn’t do casual and never had, and two, there was no way I’d tell my mom I was afraid my penis would drop off from lack of use. “There’s nothing new either, and that’s okay. I’m likingthe quiet life.”
“Hmm….” That was her tell for not being convinced. “You know, I was talking to Julie last week, and her nephew’s gay.”
“Mom,” I said with laughter, “honestly, no hookups. I do not need my mom fixing me up.”
She ignored me. “Well, he lives quite far away, but maybe a week of casual—” She cleared her throat. “—sex would do you good.”
“Jesus, Mom.” I spluttered on my mouthful of wine. Grabbing a towel, I wiped my face, catching the dribble of red wine on my chin, and wiped the countertop I’d sprayed. “Stop. I don’t need you arranging anything, okay? Please tell me you’re listening.” She was quiet. “Mom,” I said louder.
“Yes, yes, I hear you.” She sighed. “Grandbabies would be nice.”
Holy crap on toast! With wide eyes, I looked at the ceiling and counted to five. I then took a big gulp of wine before saying, “Mom.”
“Yes, baby boy?”
“I have to go. I need to grab a shower. I’m expecting someone.”
“Someone to fix the house up.” I’d heard the interest in her tone, the hope in that one syllable.
“Oh.” This time her voice dropped. I hated to kill her enthusiasm, but geez, I really needed to get off the phone.
“Love you, tell Dad I love him too. And I’ll speak to you guys later. Bye, Mom.”
“Will do.” Her tone was a bit brighter. “Love you too. Bye, honey.”
I disconnected quickly and placed my phone down. My mom, yeah, she was wonderful and drove me to absolute distraction. I knew how lucky I was. Every decision I’d ever made, my parents had always had my back. They supported me unconditionally. It was just that my mom could be a little extreme at times. I laughed into the empty room. I wouldn’t have it any other way.
Quickly finishing my wine, I looked at the time. I had just fifteen minutes until the contractor was due. I’d left it late to organize myself, still a little in a tizzafter the conversation with my mom and the mention of babies. I glanced around the room at the disorderly mess. Every time I did so, I regretted it.
I detested chaos,and that was what the house felt like. The place was still strewn with my moving boxes, but I had yet to see the point in unpacking. Not necessarily because I planned to move, but rather, the whole house needed a lot of work, so I knew I’d have to pack my things up for any work on the house to start.
I really hoped this Tanner guy would be the person who could finally help me out. I’d had two other quotes, one local and one from out of town. Both were crazy high,and neither would be able to start for another five months or so. I was running out of options. This guy had come recommended to me by one of my clients, but I didn’t want to get my hopes up.
I sighed in defeat as I looked around. I’d have to continue ignoring it all until I finally had the place fixed up. I headed upstairs, careful to miss the coupleof steps that had loose boards, and headed to the main bathroom. I had an en suite, but the shower didn’t work, so it was the pearlescent green suite I headed toward. The sickly porcelain made me shudder every time I laid eyes on it. It was clean though, so there was that.
I hopped into the shower, latheredmyself up, and quickly rinsed off. That was when I heard the knock at the door. “Shoot.” I quickly turned off the taps, stepped out and grabbed a towel. In my haste to get myself together and then answer the door, the dodgy floorboard didn’t even register until my foot slammed throughit, snagging my ankle and bringing me to my knees.
I yelled as I fell, and cursed. Wincing, I looked at my predicament, trying to yank my foot out as I did so. A loud groan slipped past my lips. This was no good. I was wedged, and it appeared I’d lost my towel in my fall. Just great.
Becca Seymour lives and breathes all things book related. Usually with at least three books being read and two WiPs being written at the same time, life is merrily hectic. She tends to do nothing by halves so happily seeks the craziness and busyness life offers.
Living on her small property in Queensland with her human family as well as her animal family of cows, chooks, and dogs, Becca appreciates the beauty of the world around her and is a believer that love truly is love.
Let Me Show You started from an idea of a meet cute, one that immediately had me grinning. There’s nothing I love more as a reader and a writer than that first point of contact. I love the possibility it offers, adore how one pivotal moment can set the tone and the course for the romantic development between characters.
With this in mind, the meet cute in Let Me Show You, which we find in chapter 3, essentially does that. Not only does it set the tone for the lightness and low-angst nature of the book, but it also introduces almost a whimsical chemistry between the protagonists, Tanner and Carter.
While we have two characters who are opposites on many levels, their journey, as sparked by their meet cute, soon begins to highlight their similarities. Both protective and honest, Carter and Tanner, show their determination to be positive and make the best out of a sometimes crappy situation. Their attitudes about family and loyalty are the same, as is their desire for a forever.
It’s this connection that we see immediately in their first meeting that follows them through the novel. And hopefully, it’s enough to keep you wanting to read on and cheer for this amazing couple.
Thanks OWI and Becca Seymour, for including the Lou’s Book Blog on your tour! Please come back soon! Readers, thank you for stopping by! Comments always welcome.
Romance Across the Rainbow is happy to host Jackie Keswick today, touring with her new MM fantasy romance, Healing Glass. Welcome, Jackie!
A dying city. An ancient, forgotten accord. And two gifted men caught in a web of greed and dark magic.
Despite belonging to different guilds, glass master Minel and warrior captain Falcon are friends. Their duties keep them apart, but when Minel falls ill and chooses death rather than the only known cure, nothing can keep Falcon from his side.
As their friendship grows into more, old wrongs and one man’s machinations threaten the floating city and leave both Minel and Falcon fighting for their lives. Can they learn to combine their gifts to save the city and its magic, or will everything they know and love perish before their eyes?
Healing Glass is an LGBT fantasy adventure with its head in the clouds. If you like medieval backdrops, impressive world-building, three-dimensional characters and a touch of magic, then you’ll love Jackie Keswick’s socially-conscious adventure.
Hi everyone, I’m Jackie Keswick. And I’m very grateful to Lou for inviting me to the blog to chat about my new release, fantasy novel Healing Glass.
Healing Glass, the story of a glass master, a warrior, and a floating glass city, is set in a medieval-style world, which is a historical period I love. It’s also a historical period I like to bend and fiddle with.
Medieval society in Europe was very structured, with each person knowing their place in the world. Tradespeople in particular had organised themselves into a complex system of guilds as a means of keeping skills together, supporting one another, and training the next generation. Those medieval trade guilds were my starting point for the world I’ve built in Healing Glass.
All the traditional guilds exist in my world, but at the heart of Healing Glass are three very special guilds. The Craft Guild, the Warriors Guild and the Merchant Guild are collectively known as the Gifted Guilds, because each guild member has talents that reach beyond their craft.
Members of the Craft Guild create objects and enhance their creations to soothe, cheer, heal, protect or bring good fortune. Warriors shape minds and use their powers to protect and aid each other. And merchants shape circumstance, transform one reality into another one at will. You can hire them and pay them in coin, or in favours – and for countless generations this system has worked very well.
But what happens when you bend carefully wrought magic out of shape? When you change its purpose to suit yourself? Well… then you put a whole world and a floating glass city in danger.
Excerpt from Healing Glass
Half a mile above the surface, a deep, rumbling groan rattled through Favin’s bones and turned his guts to water. The elevator jerked and shuddered—long enough for Favin to wonder whether he’d left his errand too late—before it resumed its stately progress up towards the floating city.
The groans and jerks came more often these days, on almost every journey. Despite the trickle of ice-cold fear, Favin welcomed the noise and stuttering ascent. He’d raised the alarm weeks earlier, but no one had believed the word of a servant. No one but Councillor Teak, who now clung to the transparent wall on the far side of the elevator, face grey and eyes wide.
The City Council would believe Teak.
“Is… this… why you wanted me to accompany you?” Teak spoke louder than necessary in the tight confines of the chamber bearing them aloft.
“Yes, Councillor. I reported it several times, but—” Favin stopped, loath to criticise the council. “I felt you had to know what’s happening.”
Teak, resplendent in a well-cut black coat and lace cuffs under his scarlet robe of office, didn’t belong in an elevator filled with rows of stacked crates, bins of cloth, and rolls of parchment, even when Favin hadn’t packed the space as full as he usually did. The councillor didn’t need the experience of a full cargo run, of squeezing into a gap just large enough to get in and out of. Never mind that he wouldn’t have fit. The servants joked that were the councillor hollow, one of them could fit inside his frame with space to spare.
Teak enjoyed his food as much as he enjoyed his status and privileges, but he hadn’t lost all sense of his responsibilities. When Favin had asked for his help, he’d only grumbled a little before agreeing to investigate the matter. Now here he stood, pressed against the transparent wall, gaze riveted to the crate in front of him, not daring to look down.
Favin watched the sea and the sky over Teak’s shoulder, wishing—as always— that he could see the city as they made their way towards it. The freight elevators didn’t allow for such a view, and Favin’s work rarely left him the leisure to sit on the beach.
Four levels of squat glass tiers and elegant spires connected by sweeping stairs and graceful bridges, suspended high above the waves by a raft of near-invisible columns… the floating city had stood waiting at the edge of the ocean when the Craft Guild arrived in need of shelter. Nobody knew its builders. Nobody quite understood how it worked. The city kept its occupants warm and dry, the glass walls closing or receding depending on the weather. Fountains supplied water in every square, and in all the buildings. The middle tier of the city—a wide, level space between the double-story, flat-roofed dwellings of the lower level and the skyward-reaching spires of the top tier—had been given over to growing food. All other goods the inhabitants needed came via the trade guilds and the Merchant Guild. The craft masters could have anything that fit into one of the eight large elevators, whether it came by land or sea, while men like Favin ensured the goods arrived where they were needed.
The groan came again, more of a pained shriek now, like the death cry of a material used too long and too well, as an abrupt slip downward hurled both Teak and Favin to their knees.
Then the sounds stopped.
The downward movement stopped.
And the elevator resumed its unhurried climb.
Sweat pearled on Teak’s brow and upper lip by the time the transparent cabin reached its goal. “Can we… not use this elevator?” He stepped off the floating disk before he turned to ask.
“It will delay deliveries, Councillor.”
“How many journeys do you make in a day?”
“Some days as many as fifty.”
“And the noise and the… jerking… have been getting more frequent?”
“Yes. I’m told the other elevators show the same signs of trouble. And in the upper city, the glass is said to be weeping.”
“That’s what I’ve heard, Councillor. I’ve not seen it.”
“No, of course not.” Servants of Favin’s class had no access to the upper levels. “Thank you, Favin, for bringing this to my attention.”
Favin bowed to the councillor before he set about unloading the cargo into the hands of the waiting servants. The council would decide whether to shut down the elevator or keep it running. He’d done as much as he could do, given his station. He’d said his piece and had had a councillor listen.
He continued with his work, until words drifting through a half-open door stopped him on his way to deliver rolls of parchment and ink to the council chamber.
“Weeping is the only way to describe it, Wark. I’ve never seen anything like it.”
“And you think it’s going to be a problem?” The clipped tones were the regent’s and Favin froze where he stood, listening.
“Of course, it’s a problem,” Teak argued. “Go and see for yourself if you don’t believe me. There’s liquid glass welling up out of the column and trickling down its length. What do you think will happen if the glass wears away doing that? Or if the whole column turns to liquid? Will it continue to support the upper level in that state, or will it run into the sea and disappear?”
“Calm yourself, Teak. I’m sure there’s no need for panic.”
“You would know, of course.” Teak said snidely. “But I say you should listen. There’s more than one of those weeping spots in the upper city. The freight elevators jerk and groan, and servants are buying out their contracts, happier to make a life elsewhere than work here.”
Then it is serious, Favin thought, glued to his spot. More serious than I knew. Positions with one of the three gifted guilds were hotly sought. Only the king’s court paid better wages, and with the high prices in the royal city and port of Allengi, those wages didn’t go nearly as far.
“We must deal with this, Wark. Before it is too late.”
“Repairs to the city’s fabric are the task of the glass master. I will make sure he attends to the problem.”
“Minel is an outstanding craft master.” Teak bristled as if he had heard something in Wark’s comment that Favin had not. Something he disagreed with. “Most sought after, despite his youth. His list of commissions is near endless and he earns—”
“There are no other glass masters in the guild. Minel is our only choice if we want to fix the problem you’ve brought to my attention.” Regent Wark sounded oddly gleeful.
“No. You can’t— What if—?”
“You can’t have it both ways, Teak. You can’t bring me a problem and then object when I solve it. Minel’s work and his designs pay a large part of the city’s debts. I’m not so stupid I’d interfere with that. But if the fabric of the city fails, all the money and favours we’re owed will be no use to us. It’s fortunate that Minel cares about nothing but making glass. He doesn’t have the stomach for confrontation. I think… I think this will work out very well. Minel will accept that we direct his work and we can add another treasure to our collection. I have waited long enough.”
Jackie Keswick Bio and Links
Jackie Keswick was born behind the Iron Curtain with itchy feet, a bent for rocks and a recurring dream of stepping off a bus in the middle of nowhere to go home. She’s worked in a hospital and as the only girl with 52 men on an oil rig, spent a winter in Moscow and a summer in Iceland and finally settled in the country of her dreams with her dream team: a husband, a cat, a tandem, a hammer and a laptop.
Jackie loves unexpected reunions and second chances, and men who don’t follow the rules when those rules are stupid. She blogs about English history and food, has a thing for green eyes, and is a great believer in making up soundtracks for everything, including her characters and the cat.
And she still hasn’t found the place where the bus stops.
For questions and comments, not restricted to green eyes, bus stops, or recipes for traditional English food, join her in Jackie’s Kitchen on Facebook or find her in all the usual places:
I’m excited to welcome to the Rainbow Gate Book Blog author Angel Martinez, with her new release Mage on the Hill.
Angel Martinez has a new MM fantasy book out: The Mage on the Hill.
Toby’s wild magic is killing him. The mage guilds have given up on him, and it’s only a matter of time before he dies in a spectacular, catastrophic bang. His only hope is an exiled wizard who lives in seclusion—and is rumored to have lost his mind.
The years alone on his hilltop estate have not been good for Darius Valstad. After the magical accident that disfigured him and nearly drowned Pittsburgh, he drifts through his days, a wraith trapped in memories and depression. Until a stricken young man collapses on his driveway, one who claims Darius is his last chance.
For the first time in fifteen years, Darius must make a choice—leave this wild mage to his fate or take him in and try to teach him, which may kill them both. The old Darius, brash and commanding, wouldn’t have hesitated. Darius the exile isn’t sure he can find the energy to try.
I don’t understand. He should be finding a minor channel at least. Something. He shouldn’t be at this level of physical distress and still be able to throw so much.
We can’t condone pushing on. Dangerous for him and for everyone in a five-mile radius. We’ll have another Darius situation on our hands.
You’ll tell him?
As soon as he’s able to hear it, yes.
Toby drifted from gray misery to scarlet agony, the voices floating to him in fits and starts. His instructors, the director—they were talking about him and they sounded done with him, just like the previous six guilds that had tossed him to the curb. Wild magic. Unplaceable on the web of Arcana. Unsustainable and eventually deadly. The only remaining bets anyone could make now were how many people he took with him when he went out with a catastrophic bang.
Hands lifted him. The familiar sensations of stretcher and rolling followed him down into the dark.
“What’s this?” Toby peered at the papers on the rolling tray, not quite up to focusing through his pounding headache.
The director pulled a chair close and cleared his throat uncomfortably. “We discussed that this might be a possibility someday, Tobias.”
“We’ve talked about a bunch of stuff.”
Director Whittaker let out a sharp sigh.
“Not saying it to be a smartass, sir. I can’t get my eyes to read this just yet.” Toby shifted on the infirmary bed. His fifth stay in this wing of the guildhall and the mattresses hadn’t managed to grow any more comfortable. “Couple hours I should be able to.”
“Ah. My apologies.” The director returned to a concerned parental pose, hands clasped between his knees as he leaned forward. “These are your separation papers from the Montchanin Guildhall.”
Toby swallowed hard. “You’re giving up on me? Already?”
“I’m so sorry, Tobias.” Director Whittaker patted his arm. “The Kovar method is nearly infallible—”
“Nearly. You said nearly.” Despite his pounding head, Toby sat up, hanging on to the director’s hand as hard as he could. “Please don’t do this. You said you’d help me.”
“We said we would do the best we could. Wild magic…. It’s unusual, certainly, but cases of unplaceable wild magic like yours aren’t unheard of. We should have seen some sign of channeling by now. Some directed trickle that would have let us help you find your place in the web.”
Toby let go to fall back against the pillows, hurting, nauseated, and dizzy. His uncontrolled magical explosions, each one harder on him than the time before, had only been getting more volatile and unpredictable. “I don’t have anywhere else to go. Can’t I stay here? Until, well, until….”
“It’s too dangerous for the other students. For the staff and other guild members.” Director Whittaker took his hand again. “Tobias, you blew a hole in the guidance room’s wall today.”
Ten feet of weapons-grade Kevlar and steel—that shouldn’t have been possible. Holy crap. “Did I hurt anyone?”
“Not today. But I can’t risk lives any further. It’s reached that point where we’ve tried everything we could. When you feel up to it, read the packet. There are several wonderful hospice options nearby. Beautiful places where you’ll be cared for and made comfortable. The guild will take care of you and cover any expenses.”
Drugged to the eyeballs so I won’t do any more damage. Allowed to starve to death in the nicest possible surroundings. Toby closed his eyes, his exhausted brain banging up against walls of possibility, trying to find him a way out. All this time he’d been sure one of the guilds would find a way. They were the experts. Now? Now he was terrified. The experts were telling him he needed to accept his impending death. No, no, no, fuck that. “Sir, who’s Darius?”
“Ah, you heard that, did you?” The director sat back and pulled out a microfiber cloth to give his glasses a meticulous cleaning before he went on. “Darius Valstad caused one of the greatest magical disasters in recent memory. He nearly destroyed Pittsburgh. He pulled magic too far from his channelings, the result much like a wild magic accident. The catastrophe was narrowly averted.”
“Oh. That sounds about as bad as it gets. What happened to him?”
“He nearly died. His guild status was revoked, his teaching of any more students forbidden.”
Toby turned that over a few times, his brain fumbling and dropping concepts along the way. “So, but he’s still alive?”
“As far as I know. He lives in isolation, oh, not far from here, with the promise that he will no longer attempt anything beyond personal magic.”
“But he was once like me? And he lived?” Toby knew it was conclusion jumping, but he was desperate enough to reach for anything.
The director’s sigh was slower this time, more melancholy. “Tobias, he found his channels long ago, both his major and minor Arcana. Yes, he lives because as long as he respects the web, his magic won’t tear him apart. He had some early success with teaching unplaceables, but Pittsburgh was the ultimate result of his unorthodox methods.”
“Yes, sir. Of course.”
Director Whittaker rose with one last pat to Toby’s shoulder. “Get some rest. We’ll talk again in the morning. Please keep in mind we’re not simply turning you out onto the street. We want to be certain you’re looked after properly.”
Toby nodded, no longer trusting his voice. He didn’t turn his head to watch the director leave, staring at the white ceiling tiles instead. Ugly ceiling tiles. Places where you have to lie in bed like hospitals and infirmaries should have nice ceilings with meadows and bunnies painted on them. I don’t want to die. Oh gods… I don’t want to die.
In the world of the Web of Arcana, mages live alongside normal humans, sharing most of their society. Groceries, real estate purchases, technology – for most things, a mage’s life isn’t any different from regular humans. But they have authorities and laws of their own in addition to regular human government and some parts of life are necessarily kept separate.
Birth, since magic can get loose during a mage delivery.
School, since mage children need to learn things not in a public school curriculum.
Death—since at the end of things, control can slip.
If you’re thinking that death has been on my mind a lot recently, as in the last couple of years, you would be correct. My mom, his dad, aunts, cousins, in-laws, the cat who had been my companion for twenty-four years, there’s been a bit of it to deal with. While some hit harder than others, when attending multiple funerals in a short space of time, you start observing how people react to death and dying.
That second part is a bigger piece of it than people are ready for. People talk about the stages of grief and funeral arrangements, executors and after-effects. I don’t think we talk enough about the process of dying.
My mom’s deterioration from Alzheimer’s took years, as it often does. For the most part, we kept her home except for a couple of hospital/rehab facility stays because of pneumonia and such. Eventually, she began to lose mobility and her doctor started making house visits and talking to us about hospice. Dad was very resistant to hearing about it. The old view of hospice is that you leave someone there to die. Of course, that’s not the case, and the doctor emphasized something that Dad and I both needed to have said. Alzheimer’s is a terminal diagnosis, even though it takes years sometimes.
There are a lot of hospice options and we opted for in-home. The hospice workers acted as support, physical help, equipment wranglers, and educators. They were wonderful. They helped us, all of us, through this process of dying every step of the way and cried with us when it was over. A few months later, the family opted for in-hospital hospice for my father-in-law, and again, the environment was one of quiet, gentle support and information.
Not everyone needs to or has the chance to go through this process, but it’s made a huge impression on me, as you can probably tell. So when I wrote The Mage on the Hill, I wanted to be sure there was a hospice option for mages at the end of their lives. While their hospice system is also used for another purpose, that’s not the fault of hospice. I wanted to have beautiful, well-run facilities available so that elderly mages and their families could have that choice, to be eased through the process.
Not the most lighthearted post – sorry about that. But when you encounter the hospice system in the story, I hope I’ve made it clear that the wonderful hospices themselves were not the problem.
The unlikely black sheep of an ivory tower intellectual family, Angel Martinez has managed to make her way through life reasonably unscathed. Despite a wildly misspent youth, she snagged a degree in English Lit, married once and did it right the first time, gave birth to one amazing son, and realized at some point that she could get paid for writing.
Published since 2006, Angel’s cynical heart cloaks a desperate romantic. You’ll find drama and humor given equal weight in her writing and don’t expect sad endings. Life is sad enough.
She currently lives in Delaware in a drinking town with a college problem and writes Science Fiction and Fantasy centered around gay heroes.
Thank you OWI and Angel for including the Rainbow Gate Book Blog as a stop on your tour. Congrats on the release, and best of luck. Readers, I appreciate you stopping by to read, and as always, your comments are quite welcome.
Romance Across the Rainbow welcomes old friend Jana Denardo to share her new book, Modified and Scared!
Blurb Lieutenant Addison Hunt is proud to serve the Confederation even if he still feels like he’s on the outside looking in. Addison was illegally genetically modified as a child, leaving him burdened with a sense of shame. Emotionally isolated from his fellow crewmen and recovering from injuries from his last job, Addison is happy to have light duty transporting an esteemed diplomat to a peace conference.
Deveral is one of the Sacred Kin, possessing a psychic ability that his people consider a spark of the divine. Like all the Sacred Kin, he’s led a sheltered life as a temple priest, but his heightened empathic ability makes him the perfect diplomat. Nervous to leave his home, he’s curious about his new companion, Lieutenant Hunt.
Not everyone wants the diplomatic mission to succeed, and a rebel faction poses a real threat to Addison and Deveral. Finding themselves cast adrift on a “lost” colony, they’ll have to fight to stay alive.
Addison wondered about his passenger as Deveral watched Fyria fall away in the view screen. The dossier said the Sacred Kin had not been off-planet except for a few trips to the moon. Deveral’s odd, goat-like eyes with their spooky horizontal-bar pupils grew bigger and bigger the smaller Fyria became. His opalescent skin started turning light gray, blending him into the shuttle seat. Even his hair faded from the same fiery opal his skin had been to the hue of smoke. He realized this change might mean his companion was nervous, but it also fascinated Addison. Was his hair alive? Could it be cut? Did his hair not grow any longer than it was, like a dog’s fur?
After a half hour, Fyria long gone from the screen, the silence weighed on Addison. He had spent his youth in relative quiet and now longed for a constant stream of sound. He studied Deveral, wondering if he waited for Addison to say something. Then a nasty thought struck him: maybe the Sacred Kin didn’t think he needed to speak to the “help.” Addison chided himself. He hadn’t gotten that impression from him when they’d toured the temple gardens. For someone so important, Deveral seemed relatively normal.
Unfortunately, looking at him made Addison’s pulse roar like the aft thrusters on a T-17 Starblazer. Beautiful, graceful, and sexy as hell, Deveral left Addison breathless. What sort of diplomatic nightmare would result if he set out to seduce the Sacred Kin? Addison pictured his aunts skinning him and using his hide as a seat cover for their command chairs. His knowledge gaps when it came to the Fyrian were big enough to pilot the shuttle through, but the dossier had a complete medical profile in case things skittered sideways. While there were several major differences, camouflaging skin for one, they were close enough to humans to interbreed with a little genetic help.
Addison shook his head. He needed to be far more professional in thought than he was at the moment. The motion caught Deveral’s attention because his eyes flicked over, and Addison found himself staring into one of Deveral’s golden eyes rotated much farther to the side than any human could achieve. Fantastic peripheral vision had been one of the line items in the medical profile, an evolutionary adaptation to having once been prey.
Bio Jana is Queen of the Geeks (her students voted her in) and her home and office are shrines to any number of comic book and manga heroes along with SF shows and movies too numerous to count. There is no coincidence the love of all things geeky has made its way into many of her stories. To this day, she’s still disappointed she hasn’t found a wardrobe to another realm, a superhero to take her flying among the clouds or a roguish star ship captain to run off to the stars with her.
Romance Across the Rainbow welcomes Morticia Knight, on tour for the release of the revised and expanded Copping an Attitude, book 2 in her acclaimed Sin City series.
Survival is all Slade understands until Parker saves him from the terrors of the streets. Too bad the streets won’t let Slade go…
Hustler Slade has had little choice over his fate. Barely twenty years old, he’s had to survive any way he can after being thrown out for being gay when he was still in his teens. As soon as he hit Vegas, Slade was lured into the hopeless world of prostitution where he’s become a virtual prisoner to his pimp, the ruthless Julio Estevez.
It’s another typical night on the Strip when officer Parker comes across Slade. His heart breaks every time he sees someone so young being exploited. Yet something in Slade’s eyes tells Parker the young man might be in real trouble—especially after the recent wave of sex worker killings by a rival prostitution ring.
The two men’s lives become intertwined when Slade is almost beaten to death. The danger grows, but so does the relationship between Parker and Slade. Parker helps Slade to heal from the horrific attack and their bond deepens. But the human traffickers are still on the prowl—and they’ll stop at nothing to steal Slade back.
Publisher Note: This book has been revised and expanded from the original edition that was published under the same title at Totally Bound Publishing in January of 2015.
When I originally wrote the Sin City Uniforms series beginning in 2014, I had six books planned, but a seventh snuck out and the outline for an eighth installment also emerged. In addition, in the interest of publishing and deadline schedules, I either had to cut scenes rather than spend time fleshing them out or not write them at all to begin with. The eighth book never happened, since I’d moved on to other projects that demanded my time. I never forgot about Jamal from Station 32 and how he needed his HEA. But what makes an author decide to go back and revisit an old series?
There are so many reasons why an author might decide to do a rerelease on previous books and series. Sometimes, they didn’t have control over the cover or edits and want to get it done their way the second time around. Other times, they feel their writing has grown so much that they’d rather show off their characters in the best light possible by having a do-over. In the case of a couple of my Uniform Encounters series (which is mostly off the market for now), they were outdated, and/or possibly inflammatory given the current climate in the US. For Sin City Uniforms, I had several motivations.
Let’s talk about covers. My original covers were amazing, I adored them artistically. But again, because of deadline pressures, some of the models were so far removed from the characters in the book, I almost felt like what’s the point of having a guy on there at all? And other than the series’ name, they didn’t convey much as far as the crime/mystery element of the stories. And as silly as this may sound, I’ve become a much better blurb writer. I’ll confess, I had no idea what to do when I first got published. I’d wrongfully assumed a pro would be handling that aspect for me!
But one of the biggest reasons I wanted to revisit all my boys from Sin City, is to get the chance to tell their full stories. Add back in or expand the scenes that I’d originally wanted to be included but couldn’t due to deadlines. Once I began that process, then I just had to tell Jamal’s story! Poor guy. I’ve left him hanging all these years…
Here’s an excerpt from Copping an Attitude (Sin City Uniforms 2) which was just released. The expanded editions of the rest of the series will be coming out one to two months apart the rest of the year, with Jamal’s story arriving the beginning of 2020. This scene is when Parker, a patrol officer on The Strip, and Slade, a sex worker, first ‘meet’ after a foot pursuit:
Right as his quarry rounded the corner to duck down a pathway to Bally’s hotel rooms behind the main casino, Parker launched himself forward. He grabbed the smaller man around his neck, their combined momentum knocking them both to the ground. Parker threw his free hand in front of them, hoping to keep his larger body from crushing the kid as they tumbled down.
A loud whoosh of air was wrested from the young man as Parker landed on top of him, and he knew he’d only been partially successful at keeping his weight off his suspect. The kid struggled and fought like a wild cat. Even though he was smaller than the guy Parker had just arrested, he was much more determined. Desperation seemed to fuel his efforts and the kid’s pleas clutched at Parker’s heart. The young man’s terror seemed genuine and, somehow, it didn’t strike Parker as being caused by the fear of going to jail.
“Please.” His cries were muffled by their continued battle. “Let me go. You don’t understand. You have to let me go, man.”
“Stop resisting, son. You’re only making things worse for yourself.”
“I’m not your son, you fucker! And nothing could be worse…” He strangled down a sob as his voice trailed off. “Nothing.”
His body went limp as if in defeat. Parker hauled him up to a standing position, using one hand to clutch his collar and the other to grip his arm. The boy winced.
“Are you hurt?”
Deep blue eyes lined in black stared up at him, defiant. But behind that façade was a deep sadness that threatened to crush Parker’s heart even more.
“What the fuck do you care?”
He’d tried to make his voice sound cocky, tough. Parker was used to the attitude he received from the various lawbreakers he interacted with daily, but he still believed there was something different about this one. It wasn’t his job to interfere with individuals, only to bring them in and—when appropriate—offer relevant social services information. Personal involvement was off limits.
“I care more than you probably think.”
Author Morticia Knight spends most of her nights writing about men loving men forever after. If there happens to be some friendly bondage or floggings involved, she doesn’t begrudge her characters whatever their filthy little hearts desire. Even though she’s been crafting her naughty tales for more years than she’d like to share—her adventures as a published author began in 2011. Since then, she’s been fortunate enough to have several books on bestseller lists along with titles receiving recognition in the Rainbow Book Awards, Divine Magazine and Love Romance Café.
Once upon a time she was the lead singer in an indie rock band that toured the West Coast and charted on U.S. college radio. She currently resides on the North Oregon coast and when she’s not fantasizing about hot men, she takes walks along the ocean and annoys the local Karaoke bar patrons.
Welcome author Jackson Marsh to Romance Across the Rainbow!
Jackson Marsh has a new gay historical mystery out, book one in the Clearwater Mysteries: Deviant Desire.
The Victorian East End lives in fear of the Ripper and his mission to kill rent boys. Silas Hawkins, nineteen and forging a life on the streets could well be the next victim, but when he meets Archer, his life changes forever. Young, attractive and rich, Archer is Viscount Clearwater, a philanthropist, adventurer and homosexual.
When Archer suspects the Ripper is killing to lure him to a confrontation, he risks his reputation and his life to stop the madman’s murders. Every man must play his part, including Silas.
A mashup of mystery, romance and adventure, Deviant Desire is set in an imaginary London of 1888. The first in an on-going series, it takes the theme of loyalty and friendship in a world where homosexuality is a crime. Secrets must be kept, lovers must be protected, and for Archer and Silas, it marks the start of their biggest adventure – love.
Silas and Fecker, two renters from the East End, have been brought to Clearwater House to discuss their plight with The Viscount Clearwater. Thomas, the handsome redheaded footman, prepares them for the meeting.
They were led into a short passage of closed doors, past a hatstand and into a cavern. At least, that’s what it felt like. The ceiling was arched and high, and the walls tiled. The far wall was taken up by a recess that housed a fireplace and ovens, a row of barred windows lined the top of another and beneath these stood huge dressers displaying pans that glinted the colour of Thomas’ hair. It was all set around a massive table with a central avenue of jars lined regimentally from one end to the other. It was hard not to swear in awe, and it suddenly occurred to Silas that he was warm. It was the first time in weeks.
He was made to wash his hands in a sink and do what he could to tidy his face and hair while Thomas stood over him and Fecks waited for his turn. It took Silas a full five minutes to scrape the crud from beneath his fingernails. Luckily for him, the kitchen smelt of pie and herbs, and it masked the smell of his clothes. He was grateful that he’d not been made to take his shoes off.
Thomas gave Fecks instructions to wash and wait at the table before he beckoned Silas to follow him through to another room.
‘You pissed off with me, Tommy?’ Silas asked, when they were alone in the servants’ hall.
‘Do not speak until you are…’
‘Yeah, I heard you.’
Silas helped himself to a chair at another long, worn table, but Thomas told him to stay standing facing a passageway and a staircase.
‘I thought we got along fine last night,’ Silas said, doing as he was told, but choosing to stand directly beside Thomas and close.
‘Be quiet.’ Thomas took a step forward and away.
‘Your dick was happy to say hello.’
‘I said, be quiet.’ It was more of a hiss than a sentence.
‘Why you being mean to me, Tommy?’ Silas inched closer.
‘Please, shut up.’ Thomas took another step.
Silas caught up. ‘At this rate we’ll be in the front garden by the time you tell me what’s pissing you off. Is it ‘cos you fancy me?’
‘Or is it ‘cos you find my kind… What was the word? Disgusting.’
‘Stop it,’ Thomas insisted. ‘Now kindly…’ He was interrupted by a sensation completely new to him and gasped. ‘Get your hand off my backside.’
‘Want it on your cock instead?’
Silas slid his hand towards the front of Thomas’ trousers, but the footman turned on him, grabbed him by the throat and held him against the sideboard, rattling crockery.
‘What are you playing at?’ Thomas whispered through gritted teeth.
Unconcerned by the hold Thomas had, Silas grinned. A swift kneeing and the man would be in agony, but instead of raising his leg, he raised his hand and cupped Thomas’ crotch.
The footman’s green eyes bored into him, and their anger intensified.
‘Why are you doing this?’ Thomas pleaded. His cock was hardening, his cheeks flaming, and his grip tightened.
‘What do you want?’ Silas leered.
He searched Thomas’ face, but found no answer. He didn’t want to hurt the man, he just wanted to know where he stood, but there was only one way out. Silas pulled Thomas to him by his cock and pressed their mouths together with a clash of teeth.
‘Oh.’ Fecker appeared in the doorway. ‘I hear noise, but it is only you fucking.’
Thomas immediately released Silas and pushed himself away. He straightened his hair and wrestled with the front of his trousers.
‘You safe, Banyak?’ the Ukrainian asked.
‘Go on with you, I’m fine,’ Silas said, gasping for air as he stared hard at Thomas.
‘I wait in here.’ Fecker returned to the kitchen and Thomas returned to being a footman.
‘You are His Lordship’s guest,’ he said with great restraint. ‘You will not behave like that again.’
‘Thought you’d like it, Tommy.’
‘And stop calling me that, you guttersnipe.’
Whatever Silas had been trying to achieve, he forgot about it when footsteps overhead suggested Fecks had intervened just in time. Sexually charged though he was, Silas stood behind Thomas and left him alone. It was only fair.
Whoever was coming was taking their time, and the footsteps stopped at the top of the stairs where a muffled discussion took place. It gave Silas time to clear his thoughts, but it was in vain. He couldn’t move them on from Thomas, what had just happened and how it left him trembling. Where had the need to kiss him come from? He thought that he had picked up from Thomas a possibility of something new, perhaps something physical that was outside his normal boundary of sex for money. Thomas had potential for… for what?
Silas was confused. Maybe he wanted more than sex, but he had Fecks for companionship, he didn’t need anything else. Thomas was someone new, an unknown quantity and gave an impression of being amenable to Silas’ advances, but what did that all mean? What was this incomprehensible longing gnawing his insides? It wasn’t just physical attraction to other men, it went deeper and was disturbing. The conundrum occupied him until the mumbling upstairs stopped, and Thomas stood to attention as the viscount entered.
The click of the footman’s heels broke Silas’ thoughts and he looked up into the eyes of the most striking man he had ever seen. At that moment, knew his life would never be the same.
Unique Post: Who is Jackson Marsh?
Lets’ start with the basics. My name is James Collins, and under that name, I have published 12 books, four are travelogue memoirs, and the rest are novels, though with gay and straight characters. Wanting to develop my interest in gay lit, I came up with the name Jackson Marsh so as not to confuse my other readership. James’ novels have gay friendship storylines, but they are not romances, as such. I wanted to be free to think and write my main characters and many of the others as gay. There are simply not enough good mysteries and action stories where the hero is gay. There are plenty of romances and erotica, but I write mashups with the action story and the friendships between characters as the most important themes. There’s love and some sex, some of the stories are classic romances where love is the driving force, but all have some kind of mystery or thriller plot.
Deviant Desire is a perfect and timely example. It starts in 1888 with Silas, 19, the son of an immigrant searching for money in the gutter. Meanwhile, Viscount Clearwater (Archer), for reasons of his own, is instructing his butler and footman to trawl the East End to find a rent boy who looks like a drawing he has made. Archer is 29, so already we have the age gap I love to explore, and in this case, we have the upstairs/downstairs world of a grand, Victorian noble house contrasted with the down-and-out East End. Add in the fact that a madman is ripping rent boys, and we have a plot. As Silas becomes involved in whatever it is Archer is up to, the pair fall in love – the prince and the pauper in a gay world if you like.
The story continues with a love triangle that must resolve, a new love that must blossom and a twisting thriller made all the more twisted because we don’t know what Archer is doing until about halfway through, and I mean in both love and action plots. The two combine at the climax (excuse the pun) and both are left flowing forward to part two, Twisted Tracks, due out in May of this year.
But, to answer your question about who I am. Jackson Marsh is my pen name for my gay novels, but strangely, he was born in the same place and at the same time as James. That was 1963 on the Kent coast in England. The Romney Marshes to be precise where growing up gay was about as acceptable as malaria but where I attended excellent schools. Or rather, schools with excellent teachers, particularly in English and Music. Leaving home at 18, I went to work in various places around the country. I didn’t get into drama college as I hoped, mainly because I was no good, and so I fell into social work and later, housing (yawn).
I kept up the creative output though, starting at 14 by writing a school musical, at 17 and 18 by writing and producing two student reviews. Later, settled in London, I joined a gay theatre group, wrote and performed cabaret (gay political) and set about writing more musicals. I ended up in Brighton by which time I’d written four musicals, several reviews and a trunk full of cabaret songs and other performance pieces. But I was still working nine to five and had only written one novel. When I was 34, I was interviewed for a senior position at the company I worked for, and they asked me what I wanted to be doing in five years. I said, ‘Sitting on a Greek island writing novels.’ When I was 39, my partner and I moved to Greece and when 40, I made it permanent. We’ve been here 16 years now, we’re married, and I think I’ve got life sussed.
Thanks to turning 55, and working for that same company for years (I got the job) I now have a small private pension. It makes me feel old but it means I only have to work if I want to. I freelance for some adult review sites to earn extra money and then spend the rest of the day writing for pleasure.
I hope my pleasure in writing becomes your pleasure in reading because, as I always tell my readers, “As long as you keep reading, I’ll keep writing.”
Jackson was born in 2017 as the penname for me (James) so that I could publish my new gay fiction independently from my other writing work. I was born on the south coast of England during a blizzard, but now like to warm thing up with MM romance novels, gay mysteries and some occasional erotica. In 2007 I was awarded and EGPA award for my erotic short stories, and in 2018 I won a Best Screenplay award for one of my films. I am a diverse writer with thrillers, comedies and horror stories under my James belt, and now romance and mystery under my Jackson belt.
At the moment I am concentrating on two genres: older/younger MM romance, and youth mysteries with early 20s main characters and a love story included.
I live on a Greek island with my husband. My interests outside of writing and reading are outdoor pursuits, traveling, piano and genealogy. That’s probably why my books tend to involve characters who are musicians, writers, mystery-solvers and rock climbers; there’s a bit of me in every one.
This blog is not pornography, however it will from time to time include material suitable for adults. If you are not of legal age in the country where you live, please leave the site. Thank you. Others, proceed at your own discretion, and please enjoy!