Morgorth is a mage on the planet Karishian. There is little else he hates more than the Stones of Power – gemstones which were infused with magick by the first seven mages ever born. So when a sorcerer gets ahold of a major stone – a ruby – Morgorth has no other choice but to go after him. But, to his irritation, he is not alone. Aishe is a dialen whose tribe was massacred by the sorcerer and now he is on a mission of vengeance. The attraction is instant between them but Morgorth keeps his distance. Because of a traumatic childhood and a deadly destiny, he has no desire for emotional complications. But Aishe’s very presence challenges Morgorth’s resolve.
Not only does Morgorth begin to admire Aishe’s strength and mind, but he begins to see him as a friend. As their hunt continues and their time together lengthens, their bond deepens as does Morgorth’s fear. If he becomes the monster that destiny claims he will, would he hurt Aishe? Would he harm the one person who saw right through him? Who accepted him wholeheartedly? Determined to not let that happen, Morgorth keeps Aishe at a distance but when Aishe is kidnapped by the sorcerer, what will Morgorth do to get him back?
M.D. Grimm lives in the wet state of Oregon, and when Grimm is not reading, writing, or watching movies, Grimm dreams of owning a pet dragon. Grimm wanted to become an author since second grade and feels that those dreams are finally coming true. Grimm was fortunate to have supporting parents who never said “get your head out of the clouds.” While not liking to write in only one set genre, Grimm feels romance is at the core of most of their stories. Grimm earned a Bachelor of Arts in English at the University of Oregon and hopes to put that degree to good use in the literature world as well as the “real” world.
Q: How important are character names, to you, and how do you go about naming them? What about titles?
A: Character names are VERY important to me. For me, names must tell something about the personality of the character. Either by the way the name sounds, what the name means, or both. Sometimes the names just come with the character when I create them, but other times I have to pull out my baby book of 35,000 names and look up what would fit the character best.
Titles are probably my favorite and most headache-inducing part of creating a story. Sometimes, I know the title before I even write the book, other times I have a tentative title and I can only finalize it after I’ve finished the story. I like creating titles that either play on words or connect wittily with what’s in my story. My Shifter series with Dreamspinner Press is one such example. My most recent release of that series was Blind Devotion. One of the main characters is blind but I also use that title to describe followers of a sect that desire the eradication of shifters. Titles are very important. If they’re clever, they capture readers’ attention and you potentially make a sale! And a new fan.
Q: In what locale is your most recent book set? How compelling was it to set a story there? Do you choose location the same way every time? How?
A: I had two releases in August, so I will talk a little bit about both. Blind Devotion is set in Montana. Ruby: Lost and Found with Torquere Press, is set on another planet, but it is a fantasy, not a sci-fi. Both settings were compelling and offered up their own challenges. With Blind Devotion, I let the criteria of the story help me determine where the story would be placed. I needed an isolated place where a small town of shifters could live in relative peace and secrecy. Montana fit the bill because it was far north and covered with national forests – a perfect places for shifters to run around on four legs. I had to do a lot of research on Montana, however, before I could start writing. I think that’s what makes me choose settings in places I have never been – so I can discover and travel, if only in my mind. It lets me learn and I love to learn.
Ruby: Lost and Found is, as I said, a fantasy, so that meant I was starting from scratch. I had to create flora/fauna, geology, continents, etc. I really had to create everything but, since it is the first book of a series as well, I have time to gradually evolve the world and present it to readers. This series doesn’t allow me to take anything for granted – the reader would know nothing of my world as they would most places on Earth. I want to make it as real to them as it is to me.
Q: How much power do you give your characters in steering the story line?
A:I’m a big fan of allowing the character to steer the story, instead of just reacting to what happens to them. But I do try to keep a good balance between outside events influencing my characters’ actions and my characters’ actions influencing the events. I do try to have an overall plot that is a guide for the character, but I make sure they have agency.
Q: What is the most satisfying element for you in writing gay relationships, and why?
A: I like to think love conquers all. Naïve, perhaps, but reality is a bitter pill sometimes, and I read and write to take me out of that reality and into a world where, despite everything, you do end up with your soul mate (or soul mates). Unfortunately in our society, there is a sort of “built-in” conflict with gay relationships and that makes me even more devoted into making sure, at least in my stories, the men (or women) end up together.
Q: Are readers involved in making your fiction—do they suggest stories or say what they’d like to read?
A: I haven’t had that situation yet. I’m still pretty new at publishing and I’m still building my fan base.
Q: Describe the ideal relationship between author and readers.
A: Respect. For the author to respect the readers, and for the readers to respect the author. For the author: they need to respect the fact that readers might not like all their stories, or how they write, and that’s okay. You can’t please everyone. You shouldn’t try. For the reader: they need to respect the author and their craft. If they don’t like the story, okay, fine, but there is no need to attack or disrespect the author or their story. They need to remember that others might enjoy that story, and that their opinion is just that: an opinion. A preference. They have a right to that preference, but also a responsibility to give it respectfully.
I am a reader and an author, so I see both sides. If I don’t like a story, I don’t see a need to attack the author, or the story. It’s not my preference. There have been certain popular stories coming out recently (I’m sure you could guess what they are) that I have no interest it. But others love and adore those stories. Okay, fine. To each their own.
As an author, I love my readers. I really do. And it does hurt when a negative/hateful review comes out. But it would hurt less if it was respectful. I’ve read several of those reviews that don’t tear down the story or me but inform other readers why they didn’t like the story. I almost want to thank them for that review – even if it was negative – because I didn’t feel attacked.
Q: What do you find useful about reviews?
A: Well… it’s nice to see when my book is positively accepted. And sometimes it can help if the review is more critique then attack. I can see where the reviewer thought the story had issues and if I agree, I can make sure not to do it again. I don’t depend on them to tell me how to write – I write because I want to and because I need to. I don’t allow reviews to affect my confidence in my writing.
Q: I’m well known for demanding to know an author’s opinion about which of their characters is the sexiest, and I’m making no exception for this group. Who, how, and why?
A: Oh goddess!! Now all my characters are glaring at me – daring me to choose favorites!
To make things easier, I will only choose from those stories that have been published (I have several written but not ready for publishing yet). Right now I’m partial to Morgorth, the protagonist in my Stones of Power series with Torquere Press, of which Ruby: Lost and Found is the first book. He might not be gorgeous or traditionally handsome but he’s a mage which means he can use magick like most warriors use swords. He’s sexy because he doesn’t think he is – he’s grumpy, angry, and often broods. I think he’s sexy because of how he changes during the course of the series and his growth as a character – mostly due to his relationship with Aishe, his mate. Sometimes the sexiest characters are those who aren’t traditionally sexy.
Q: What are the fifty hottest words (approximate the word count) you’ve ever written, in your opinion. (Be sure to include citation).
A: Now that is a hard one – I have too many, but I’ll choose some that I’ve written very recently. (50 words really cramps my style…) This little sample comes from Ruby: Lost and Found, published by Torquere Press:
“I love you,” [Aishe] said in a pained whisper that slammed me […]. I believed him […]
“We were meant for each other,” he continued […]”I’m staying with you; […] You don’t have to be alone anymore. I trust you, Morgorth. […] “You don’t think much of yourself, but I think the world of you. You’re beautiful.”
(Yes, I cheated with the […]) And why didn’t I use a sex scene? Well, this precludes a sex scene AND all of my sex scenes were certainly more than 50 words and… well, what is hotter than a declaration of love and devotion?)
Q: What are you doing now, what do you plan to write next?
A:Right now I’m working on the second and third book of my Stones of Power series as well as finishing book five and six of my Shifters series. I’m also working on outlines of a couple of other books that have nothing to do with these stories. I’m always keeping myself busy.
An Excerpt from Ruby: Lost and Found
Someone roared and the weight lifted. The stars before my eyes faded and I looked over to see Aishe actually straddling the revenai’s wrist, stabbing it with a short sword, causing black viscous blood to gush. I sucked in a breath and struggled to my feet just as Aishe leapt off of the revenai. Another hand came to grab him. He ducked away and rolled and I kept on the opposite side of him, trying to divide the demon’s attention. Five heads were enough to deal with.
Aishe and I couldn’t keep this up and I tore through my brain, trying to find a way that would end this conflict as fast and as bloodless as possible.
Before I’d found a satisfying idea, the demon got a hold of Aishe and proceeded to squeeze the life from his body. Fury so intense I wondered why I didn’t explode whirled through me and I created a blade of pure force and flung it at the revenai’s arm, cutting it cleanly in half. The monster roared, Aishe fell, and more blood gushed.
The dialen didn’t move.
“Hey! Demon shit!” I bellowed, my magick amplifying my voice. The revenai turned to me, the lust for death in its eyes.
“Follow me if you have the guts!” I ran deeper into the forest, hearing the lumbering beast close behind me. Fury gave me power and focus and I used it. I gasped for breath, my muscles burning, as I emerged at the river where only minutes before I had seen Aishe naked. I ran along the bank, the revenai emerging seconds later, lumbering awkwardly, ripping up trees as it went. I swung around and churned the water, lifting it into the air and flinging it at the charging revenai. I continued to lash the monster with water and it swung its hands around uselessly, becoming more enraged. When I had enough water whirling around the revenai, I took a deep breath and blew it out, causing the water to freeze.
The revenai’s thrashing ceased and the drool froze on its lips. I knew it wouldn’t hold but maybe it would contain the thing long enough for me to find out what to do with it. And to find out if Aishe was even still alive. I ran around the large frozen demon and nearly collided with the dialen as he emerged, whole, from the trashed forest.
I skidded to a halt and my heart was drumming in my chest, relief making me dizzy.
“Thank the Mother,” I gasped and before I could think better of it, I flung my arms around the dialen and hugged him hard. It lasted for about a second before I jerked back as if electrocuted. I grimaced and Aishe looked shocked.
I took several steps back. “Sorry, I… you all right?”